Robin Simon's review of 'Miró, Calder, Giacometti and Braque: Aimé Maeght and his Artists' (Royal Academy, London, until 2 January 2009) in the
New Statesman might make you think about how the reputations of some 20th-century artists were created and how they have since been shored up.
One vehicle for maintaining the reputations of 'Aimé Maeght's artists' has been the impressive-sounding Fondation Maeght in St Paul de Vence. The commercial Galerie Maeght in Paris continues to flourish…
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Entrance Garden of Fondation Maeght. Photo RS