tag:blogger.com,1999:blog-16998403171405613032024-03-13T19:26:31.202+00:00the british art blogBritish art, news, views and reviews on art, art history, exhibitions and booksUnknownnoreply@blogger.comBlogger60125tag:blogger.com,1999:blog-1699840317140561303.post-87780497492333815572017-10-19T16:00:00.000+01:002017-11-20T10:25:27.790+00:00William MB Berger Prize for British Art History 2017 Short List<div class="MsoNormal">
Elizabeth Einberg</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">William Hogarth: A
Complete Catalogue of the Paintings<o:p></o:p></i></div>
<div class="MsoNormal">
Yale University Press for The Paul Mellon Centre for Studies
in British Art </div>
<div class="MsoNormal">
9780300221749</div>
<div class="MsoNormal">
hb, pp432, bw 120 col 390 £95</div>
<div class="MsoNormal">
‘Exemplary and much more than a catalogue raisonné, full of
imaginative and scholarly interpretation, with new pictures to study and
familiar ones to understand anew; countless fresh insights.’ ‘A truly
magnificent monument to a life’s work, both of the author and of Hogarth!’</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Clare Browne, Glyn Davies and MA Michael, eds, with the
assistance of Michaela Zöschg</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">English Medieval
Embroidery: Opus Anglicanum<o:p></o:p></i></div>
<div class="MsoNormal">
Yale University Press in association with The Victoria &
Albert Museum</div>
<div class="MsoNormal">
ISBN 978-0-300222005</div>
<div class="MsoNormal">
hb pp324 bw 100 col 160 £40</div>
<div class="MsoNormal">
‘Stands alone as an outstanding collection of expert
contributions to accompany one of the great exhibitions of all time, providing
a permanent recreation of the show.’ ‘So much of the exhibition is reproduced and
so well, with text and images perfectly balanced.’</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
James Stourton</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Kenneth Clark: Life,
Art & Civilisation<o:p></o:p></i></div>
<div class="MsoNormal">
William Collins</div>
<div class="MsoNormal">
ISBN 978-0-007493418</div>
<div class="MsoNormal">
hb pp496 bw 2 col 30 £30</div>
<div class="MsoNormal">
‘A delight; a book that brings out the different sides of
Clark’s complex character through the most thorough research and perceptive
writing.’ ‘I read it with great pleasure and wanted it to go on and on.’
‘Sober, entertaining, admirable; without glossing over the personal life, Clark
emerges as inspirational, very hard-working, even unexpectedly modest.’</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Susan Rather</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">The American School:
Artists and Status in the Late Colonial and Early National Era<o:p></o:p></i></div>
<div class="MsoNormal">
Yale University Press for the Paul Mellon Centre</div>
<div class="MsoNormal">
ISBN 978-0-300214611</div>
<div class="MsoNormal">
hb pp316 bw 80 col 100 £50</div>
<div class="MsoNormal">
‘A highly original and stimulating contribution to our
understanding of the period.’ ‘Especially ingenious in its treatment of
Benjamin West’s slippery character.’ ‘Paints a picture of an established school
that thought of itself as “British” but was ready to move on to being
“American”.’</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Sacha Llewellyn</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Winifred Knights
1899–1947<o:p></o:p></i></div>
<div class="MsoNormal">
Lund Humphries in association with Dulwich Picture Gallery</div>
<div class="MsoNormal">
ISBN 978-1-848221772 (HB) 978-1-898519348 (PB)</div>
<div class="MsoNormal">
pp208 bw 11 col 165 £40 hb £25 pb</div>
<div class="MsoNormal">
‘There could not be a better example of how to re-establish
a reputation that urgently needed it, a triumph of rehabilitation that will
open up a whole group of neglected artists for future study and a tradition
that has been “written out”.’ ‘Extraordinary research from scratch.’</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
David Fraser Jenkins and Hugh Fowler Wright </div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">The Art of John Piper<o:p></o:p></i></div>
<div class="MsoNormal">
Co-published by Unicorn and Portland Gallery</div>
<div class="MsoNormal">
ISBN 978-1-910787052</div>
<div class="MsoNormal">
hb pp 500 col 300+ £45</div>
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<div class="MsoNormal">
‘Beautifully designed and produced and beautifully written,
all you could ever need on Piper, covering his life, his art and aesthetic.’
‘Evokes the character of his painting in wonderful words with a host of images,
a superb celebration of a most distinctive voice.’</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b>Long List</b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Sarah MacDougall and Rachel Dickson</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">William Rothenstein
& his Circle<o:p></o:p></i></div>
<div class="MsoNormal">
Ben Uri Gallery & Museum</div>
<div class="MsoNormal">
ISBN 978-0-900157585</div>
<div class="MsoNormal">
hb pp160 bw 6 col 66 £20</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Nicholas Stanley-Price, Mary K McGuigan and John F McGuigan
Jr</div>
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<i style="mso-bidi-font-style: normal;">At the Foot of the
Pyramid. 300 Years of the cemetery for foreigners in Rome<o:p></o:p></i></div>
<div class="MsoNormal">
Casa di Goethe, Rome</div>
<div class="MsoNormal">
ISBN 978-3-930370-40-5</div>
<div class="MsoNormal">
hb pp136, 47 col £18</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Elizabeth Einberg</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">William Hogarth: A
Complete Catalogue of the Paintings<o:p></o:p></i></div>
<div class="MsoNormal">
Yale University Press for The Paul Mellon Centre for Studies
in British Art </div>
<div class="MsoNormal">
9780300221749</div>
<div class="MsoNormal">
hb, pp432, bw 120 col 390 £95</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Peter N Lindfield</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Georgian Gothic:
Medievalist Architecture, Furniture & Interiors 1730–1840<o:p></o:p></i></div>
<div class="MsoNormal">
Boydell Press</div>
<div class="MsoNormal">
ISBN 978-1-783271276</div>
<div class="MsoNormal">
hb pp282 bw 59 line ill 11 £50</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Mark Ovenden</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Johnston & Gill:
Very British Types<o:p></o:p></i></div>
<div class="MsoNormal">
Lund Humphries</div>
<div class="MsoNormal">
978-1-84822-176-5</div>
<div class="MsoNormal">
pp176 illus £32 </div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
David Fraser Jenkins and Hugh Fowler Wright </div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">The Art of John Piper<o:p></o:p></i></div>
<div class="MsoNormal">
Unicorn Press and Portland Gallery</div>
<div class="MsoNormal">
ISBN 978-1-910787052</div>
<div class="MsoNormal">
hb pp 500 col 300+ £45</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Niamh O’Sullivan</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">In the Lion’s Den:
Daniel Macdonald, Ireland and Empire<o:p></o:p></i></div>
<div class="MsoNormal">
Cork University Press</div>
<div class="MsoNormal">
ISBN 978-0-990468684</div>
<div class="MsoNormal">
pb pp152 bw 33 col 32 €29</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Cathy Ross</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Revealing the
Charterhouse: the Making of a London Landmark<o:p></o:p></i></div>
<div class="MsoNormal">
D Giles Limited in association with the Charterhouse</div>
<div class="MsoNormal">
ISBN 978-1-907804984</div>
<div class="MsoNormal">
hb pp224 bw 8 col 150 £29.95 </div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Mark Thompson and Jonathan Black</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">War in the Sunshine:
The British in Italy 1917–18 Through the Eyes of Sydney Carline, Ernest Brooks
and William Joseph Brunell<o:p></o:p></i></div>
<div class="MsoNormal">
Estorick Foundation</div>
<div class="MsoNormal">
ISBN 978-0-956786869 </div>
<div class="MsoNormal">
pb pp92 bw 60 col 29 £14.95</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Mary Clark</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">The Dublin Civic
Portrait Collection: Patronage, Politics and Patriotism, 1603–2013<o:p></o:p></i></div>
<div class="MsoNormal">
Four Courts Press</div>
<div class="MsoNormal">
ISBN 978-1-846825842</div>
<div class="MsoNormal">
hb pp238 col 93 €36</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Michael Symes</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">The English Landscape
Garden in Europe<o:p></o:p></i></div>
<div class="MsoNormal">
Historic England</div>
<div class="MsoNormal">
ISBN 978-1-848023574</div>
<div class="MsoNormal">
pb pp160 bw 23<span style="mso-spacerun: yes;">
</span>col 93 £25</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Marilyn Palmer and Ian West</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Technology in the
Country House<o:p></o:p></i></div>
<div class="MsoNormal">
Historic England</div>
<div class="MsoNormal">
ISBN 978-1-848022805</div>
<div class="MsoNormal">
hb pp272 bw 16 col 210 £60</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Julian Holder and Elizabeth McKellar</div>
<div class="MsoNormal">
Neo-Georgian Architecture 1880–1970: A Reappraisal</div>
<div class="MsoNormal">
Historic England</div>
<div class="MsoNormal">
ISBN 978-1-848022355</div>
<div class="MsoNormal">
hb pp256 bw 85 col 65 £50</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Jane Fenlon, Ruth Kenny, Caroline Pegum, Brendan Rooney</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Irish Fine Art in the
Early Modern Period, New Perspectives on Artistic Practice, 1620–1820<o:p></o:p></i></div>
<div class="MsoNormal">
Irish Academic Press</div>
<div class="MsoNormal">
ISBN 978-1-911024262 (HB) 978-1-911024354 </div>
<div class="MsoNormal">
pp276 col 125 €55 hb €29.95 pb </div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Elaine Andrews, Margaret Bear, Brian Foss and Paul Liss, ed
by Sacha Llewellyn and Paul Liss</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">WWII War Pictures by
British Artists<o:p></o:p></i></div>
<div class="MsoNormal">
Liss Llewellyn Fine Art</div>
<div class="MsoNormal">
ISBN 978-0-993088421</div>
<div class="MsoNormal">
pb pp 240 bw 14 col 251 £25</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Annabel Jacqueline Setter, Andrew Lambirth, Brian Foss, Michael
Barker and William Gaunt, ed by Paul Liss and Sacha Llewellyn</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Charles Cundall: A
Working Method<o:p></o:p></i></div>
<div class="MsoNormal">
Liss Llewellyn Fine Art</div>
<div class="MsoNormal">
ISBN 978-0-956713988 pb pp192 bw 27 col 129 £25</div>
<div class="MsoNormal">
Ian Collins</div>
<div class="MsoNormal">
Rose Hilton</div>
<div class="MsoNormal">
Lund Humphries</div>
<div class="MsoNormal">
ISBN 978-1-848222069</div>
<div class="MsoNormal">
hb pp208 bw 25 col 200 £35</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Sacha Llewellyn</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Winifred Knights
1899–1947<o:p></o:p></i></div>
<div class="MsoNormal">
Lund Humphries in association with Dulwich Picture Gallery</div>
<div class="MsoNormal">
ISBN 978-1-848221772 (HB) 978-1-898519348 (PB)</div>
<div class="MsoNormal">
pp208 bw 11 col 165 £40 hb £25 pb</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Desna Greenhow, ed</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">The Diary of Mary
Watts 1877–1904<o:p></o:p></i></div>
<div class="MsoNormal">
Lund Humphries in association with Watts Gallery</div>
<div class="MsoNormal">
ISBN 978-1-848222014</div>
<div class="MsoNormal">
hb pp264 bw 22 col 24 £30 </div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
James Scott assisted by Claudia Milburn,</div>
<div class="MsoNormal">
with an Introduction by Michael Bird </div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">The Sculpture of Kenneth
Armitage<o:p></o:p></i></div>
<div class="MsoNormal">
Lund Humphries</div>
<div class="MsoNormal">
ISBN 978-1-848221789</div>
<div class="MsoNormal">
hb pp208 bw 360 col 40 £55 </div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Jeff Rosen</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Julia Margaret
Cameron’s ‘Fancy subjects’: Photographic allegories of Victorian identity and
empire<o:p></o:p></i></div>
<div class="MsoNormal">
Manchester University Press</div>
<div class="MsoNormal">
ISBN 978-1-784993177</div>
<div class="MsoNormal">
hb pp336 bw 50 2 tables £75 </div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Hilary Macartney and José Manuel Matilla</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Copied by the Sun:
Talbotype ‘Illustrations to the Annals of the Artists of Spain’ by Sir William
Stirling Maxwell<o:p></o:p></i></div>
<div class="MsoNormal">
Museo Nacional del Prado with the collaboration
of National Media Museum, University of Glasgow and the support
of Banco Santander</div>
<div class="MsoNormal">
ISBN 978-8-415245551 (complete work 2 vols)</div>
<div class="MsoNormal">
hb pp vol I 368,<span style="mso-spacerun: yes;">
</span>vol II 144 col 331 €85.50</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Sarah Tiffin</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Southeast Asia in Ruins:
Art and Empire in the Early 19th Century<o:p></o:p></i></div>
<div class="MsoNormal">
National University of Singapore</div>
<div class="MsoNormal">
ISBN 978-9-971698492</div>
<div class="MsoNormal">
hb pp316 col 82 SGD 46 </div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Simon Martin</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">The Mythic Method:
Classicism in British Art 1920–1950<o:p></o:p></i></div>
<div class="MsoNormal">
Pallant House Gallery</div>
<div class="MsoNormal">
ISBN 978-1-869827892</div>
<div class="MsoNormal">
pb pp128 col 92 £25</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Peter Lord</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">The Tradition: A new
history of Welsh art<o:p></o:p></i></div>
<div class="MsoNormal">
Parthian Books</div>
<div class="MsoNormal">
ISBN 978-1-910409626</div>
<div class="MsoNormal">
hb pp400 col 405 £50</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Neil Chambers with contributions by Anna Agnarsdóttir, Sir
David Attenborough, Jeremy Coote, Philip J Hatfield and John Gascoigne</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Endeavouring Banks:
Exploring Collections from The Endeavour Voyage 1768–1771<o:p></o:p></i></div>
<div class="MsoNormal">
Paul Holberton Publishing</div>
<div class="MsoNormal">
ISBN 978-1-907372902</div>
<div class="MsoNormal">
hb pp304 bw 150 £40 </div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Lucilla Burn</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">The Fitzwilliam
Museum: A History<o:p></o:p></i></div>
<div class="MsoNormal">
Philip Wilson Publishers</div>
<div class="MsoNormal">
ISBN 978-1-781300343</div>
<div class="MsoNormal">
hb pp256 col 112 £25, $45</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
John Radcliffe and Mark Lance</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">George Lance:
Victorian Master of Still Life<o:p></o:p></i></div>
<div class="MsoNormal">
Philip Wilson Publishers</div>
<div class="MsoNormal">
ISBN 978-1-781300312</div>
<div class="MsoNormal">
hb pp192 pp80 £25, $45</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Jovan Nicholson</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Winifred Nicholson:
Liberation of Colour<o:p></o:p></i></div>
<div class="MsoNormal">
Philip Wilson Publishers</div>
<div class="MsoNormal">
ISBN 978-1-781300466</div>
<div class="MsoNormal">
pb pp144 col 110 £17.99 $29.50</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Katharine Eustace</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Britannia: Icon on the
Coin<o:p></o:p></i></div>
<div class="MsoNormal">
Royal Mint Museum</div>
<div class="MsoNormal">
ISBN 978-1-869917029</div>
<div class="MsoNormal">
hb pp 144 bw col £35</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Roger Brown</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Wynford Dewhurst:
Manchester’s Monet<o:p></o:p></i></div>
<div class="MsoNormal">
Sansom & Company</div>
<div class="MsoNormal">
ISBN 978-1-911408000</div>
<div class="MsoNormal">
pb pp128 bw 15 col 82 £20</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Gwen Yarker</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Inquisitive Eyes:
Slade Painters in Edwardian Wessex<o:p></o:p></i></div>
<div class="MsoNormal">
Sansom & Company</div>
<div class="MsoNormal">
ISBN 978-1-908326850</div>
<div class="MsoNormal">
pb pp132 bw 44 col 68 £20</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
George Tute</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">George Tute: A Life in
Images<o:p></o:p></i></div>
<div class="MsoNormal">
Sansom & Company</div>
<div class="MsoNormal">
ISBN 978-1-911408048</div>
<div class="MsoNormal">
hb pp252 bw 50 col 140 £45</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Arnika Schmidt</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Nino Costa (1826–1903):
Transnational Exchange in European Landscape Painting<o:p></o:p></i></div>
<div class="MsoNormal">
Silvana Editoriale</div>
<div class="MsoNormal">
ISBN 978-8-836633845</div>
<div class="MsoNormal">
hb pp 256 bw 113 col 88 €70</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Emma Chambers</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Paul Nash<o:p></o:p></i></div>
<div class="MsoNormal">
Tate Publishing</div>
<div class="MsoNormal">
ISBN 978-1-849764919 (PB) 978-1-849764353 (HB)</div>
<div class="MsoNormal">
pp192 col 180 pb £24.99 hb £30</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Quintin Colville with Kate Williams</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Emma Hamilton:
Seduction and Celebrity<o:p></o:p></i></div>
<div class="MsoNormal">
Thames & Hudson</div>
<div class="MsoNormal">
ISBN 978-0-500252208</div>
<div class="MsoNormal">
hb pp288 col 225 £29.95</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Antony Griffiths</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">The Print before
Photography: An Introduction to European Printmaking 1550–1820<o:p></o:p></i></div>
<div class="MsoNormal">
The British Museum Press</div>
<div class="MsoNormal">
ISBN 978-0-714126951</div>
<div class="MsoNormal">
hb pp560 col 300+ £60</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Anne Robbins, ed, with contributions by Alison Goudie, Sarah
Herring, Harriet O’Neill & Christopher Riopelle</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Painters’ Paintings
from Freud to Van Dyck<o:p></o:p></i></div>
<div class="MsoNormal">
The National Gallery Company Limited distributed by Yale
University Press</div>
<div class="MsoNormal">
ISBN 978-1-857096118</div>
<div class="MsoNormal">
pb pp96 col 70 £14.95</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Jeff Watkin, ed, with contributions from Louise Campbell,</div>
<div class="MsoNormal">
Helen Cobby, Alice Swatton</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Concealment &
Deception: The Art of the Camofleurs of Leamington Spa 1939–1945<o:p></o:p></i></div>
<div class="MsoNormal">
Warwick District Council</div>
<div class="MsoNormal">
ISBN 978-1-872940083</div>
<div class="MsoNormal">
pb pp123 col 84 £8</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
James Stourton</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Kenneth Clark: Life,
Art & Civilisation<o:p></o:p></i></div>
<div class="MsoNormal">
William Collins</div>
<div class="MsoNormal">
ISBN 978-0-007493418</div>
<div class="MsoNormal">
hb pp496 bw 2 col 30 £30</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Susan Rather</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">The American School:
Artists and Status in the Late Colonial and Early National Era<o:p></o:p></i></div>
<div class="MsoNormal">
Yale University Press for the Paul Mellon Centre</div>
<div class="MsoNormal">
ISBN 978-0-300214611</div>
<div class="MsoNormal">
hb pp316 bw 80 col 100 £50</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Eleanor Hughes, ed</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Spreading Canvas:
Eighteenth-Century British Marine Painting<o:p></o:p></i></div>
<div class="MsoNormal">
Yale University Press</div>
<div class="MsoNormal">
ISBN 978-0-300221572</div>
<div class="MsoNormal">
hb pp312 col 312 £45</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
David Adshead and David AHB Taylor et al.</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Hardwick Hall: A Great
Old Castle of Romance<o:p></o:p></i></div>
<div class="MsoNormal">
Yale University Press for the Paul Mellon Centre</div>
<div class="MsoNormal">
978-0-300218909</div>
<div class="MsoNormal">
hb pp402 bw 20 col 320 £75</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Clare Browne, Glyn Davies and MA Michael, eds, with the
assistance of Michaela Zöschg</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">English Medieval
Embroidery: Opus Anglicanum<o:p></o:p></i></div>
<div class="MsoNormal">
Yale University Press in association with The Victoria &
Albert Museum</div>
<div class="MsoNormal">
ISBN 978-0-300222005</div>
<div class="MsoNormal">
hb pp324 bw 100 col 160 £40</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Eric Shanes+</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Young Mr Turner: The
First Forty Years 1775–1815<o:p></o:p></i></div>
<div class="MsoNormal">
Yale University Press for the Paul Mellon Centre</div>
<div class="MsoNormal">
ISBN 978-0-300140651</div>
<div class="MsoNormal">
hb pp552 col 350 £85</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Mark Hallett, Nigel Llewellyn, Martin Myrone</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Court, Country, City:
British Art and Architecture, 1660–1735<o:p></o:p></i></div>
<div class="MsoNormal">
Yale University Press for the Paul Mellon Centre</div>
<div class="MsoNormal">
ISBN 978-0-300214802</div>
<div class="MsoNormal">
hb pp544 col 194 £55</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Patricia McCarthy</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Life in the Country
House in Georgian Ireland<o:p></o:p></i></div>
<div class="MsoNormal">
Publisher Yale University Press for the Paul Mellon Centre</div>
<div class="MsoNormal">
ISBN 978-0-300218862</div>
<div class="MsoNormal">
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<span style="font-size: 12pt;">hb pp272 bw 65 col 132 £45</span><!--EndFragment-->
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1699840317140561303.post-41357904330832080672015-12-08T10:53:00.000+00:002015-12-08T10:57:55.157+00:00<div class="MsoNormal">
<span style="font-size: large;"><br /></span>
<h2>
<span style="color: #073763; font-size: medium;">The Berger Prize 2015</span></h2>
</div>
<div class="MsoNormal">
<h3>
Winner of the £5000 annual prize</h3>
</div>
<div class="MsoNormal">
<b>William L Pressly</b><br />
<i style="font-size: 11pt;">James Barry’s Murals at the Royal Society of Arts: Envisioning a New
Public Art</i><br />
<span style="font-size: 11.0pt; mso-bidi-font-size: 12.0pt;">published by Cork University Press</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b>William L Pressly</b> has won the 2015 William MB Berger Prize
for British Art History for his brilliant analysis of the murals in the Royal
Society of Arts, London, by the 18th-century Irish painter James Barry</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Dr Loyd Grossman CBE (<i>right</i>) presented Professor Pressly with the
£5000 prize at a reception last night, Monday 7 December 2015, at the Society
of Antiquaries of London</div>
<div class="MsoNormal">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-rGL0lSORUCg/Vma2ZrL0MVI/AAAAAAAABxc/IF3iLbcXOjY/s1600/Berger%2BPrize%2Bweb%2Bimage.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://3.bp.blogspot.com/-rGL0lSORUCg/Vma2ZrL0MVI/AAAAAAAABxc/IF3iLbcXOjY/s320/Berger%2BPrize%2Bweb%2Bimage.jpg" width="313" /></a></div>
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<br /></div>
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‘Nothing could be more fitting than that this superbly
produced book should have been published by Cork University Press, in the city
of James Barry’s birth,’ said Robin Simon, the editor of <i style="mso-bidi-font-style: normal;">The British Art Journal</i>, which administers the prize. ‘Barry’s strange
and wonderful murals, hidden away in the heart of London, are one of the great
episodes in British and Irish art and one of the most mysterious. Professor
Pressly’s remarkable explanation is a triumph of research and reflection and
the book is beautifully written.’</div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1699840317140561303.post-8072972860179308782015-10-30T17:57:00.002+00:002015-10-30T17:57:54.902+00:00William MB Berger Prize for British Art History 2015 Short List<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Michael Hall</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">George Frederick
Bodley and the Later Gothic Revival in Britain and America<o:p></o:p></i></div>
<div class="MsoNormal">
Yale University Press for the Paul Mellon Centre for Studies
in British Art</div>
<div class="MsoNormal">
hb col 200 bw 100 pp352</div>
<div class="MsoNormal">
ISBN 978-0300208023 £50 </div>
<div class="MsoNormal">
‘A life’s work… a huge achievement… identifies Bodley’s
voice… shows that he was not just a follower but took the style forward into
Modernism’</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Ruth Guilding</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Owning the Past: Why
the English collected Antique Sculpture, 1640–1840<o:p></o:p></i></div>
<div class="MsoNormal">
Yale University Press for the Paul Mellon Centre for Studies
in British Art</div>
<div class="MsoNormal">
hb col 100 bw 200</div>
<div class="MsoNormal">
pp410 ISBN 978-0-300-20819-1 £55 </div>
<div class="MsoNormal">
‘Guilding writes with brio, style and charm… highly informative
with unusual illustrations, many of them droll… a most original approach to a
well-known subject’</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Paul Binski</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Gothic Wonder: Art,
Artifice and the Decorated Style, 1290-1350</i></div>
<div class="MsoNormal">
Yale University Press</div>
<div class="MsoNormal">
hb col 175 bw 100 pp448 ISBN 978-0-300-20400-1 £40</div>
<div class="MsoNormal">
‘Binski’s riveting, original account… analyses so well that
it was part aesthetics, part technology… how fundamental the style was to the
world of Gothic in the most enduring sense’</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
William L Pressly</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">James Barry’s Murals
at the Royal Society of Arts: Envisioning a New Public Art</i></div>
<div class="MsoNormal">
Cork University Press hb col 122 bw 3 pp384</div>
<div class="MsoNormal">
ISBN 978-1-78205-108-4 Euro 49</div>
<div class="MsoNormal">
‘Pressly’s detailed and unusual study throws light upon one
of the most extraordinary episodes in British and Irish art, and in a
marvellous and inspirational way’</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Jane Munro</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Silent Partners:
Artist and Mannequin from Function to Fetish<o:p></o:p></i></div>
<div class="MsoNormal">
Yale University Press in Association with the Fitzwilliam
Museum, Cambridge</div>
<div class="MsoNormal">
hb col 220 bw 50 pp275</div>
<div class="MsoNormal">
ISBN 978-0-300-20822-1 £40 </div>
<div class="MsoNormal">
‘Loved it… a very rich account of the artist’s “significant
other”… many insights into the technology of art, the backroom and how the
studio held together and functioned… fascinating illustrations’</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Malcolm Baker</div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">The Marble Index:
Roubiliac and Sculptural Portraiture in Eighteenth-Century Britain <o:p></o:p></i></div>
<div class="MsoNormal">
Yale University Press for the Paul Mellon Centre for Studies
in British Art</div>
<div class="MsoNormal">
hb col 100 bw 300 pp420</div>
<div class="MsoNormal">
ISBN 978-0-300-20134-6 £50 </div>
<div class="MsoNormal">
‘Crazy title… wonderful book… and we discover where it comes
from… Baker shows that sculpture was absolutely central to the period – and
this book is now central to our understanding of it ’</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<o:p><br /></o:p></div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Hors concours<o:p></o:p></i></div>
<div class="MsoNormal">
Martin Postle, Robin Simon, eds, <i style="mso-bidi-font-style: normal;">Richard Wilson and the Transformation of European Landscape Painting</i>
Yale Center for British Art/Amgueddfa Cymru–National Museum Wales/Yale
University Press col 280 pp416 ISBN 978-0300203851 £45</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Assessors</i> John
Wilson (Berger Collection Educational Trust), Robin Simon (<i style="mso-bidi-font-style: normal;">The British Art Journal</i>), Andrew Wilton, Rosemary Hill, James
Hamilton</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;">Please note</i> Simon
Swynfen Jervis and Dudley Dodd, <i style="mso-bidi-font-style: normal;">Roman
Splendour, English Arcadia…</i> was inadvertently included in this year’s Long
List. It will be go forward to next year’s Long List </div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
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<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;">The Prize of £5000
will be awarded</b> by Dr Loyd Grossman CBE FSA at a reception in central
London on the evening of Monday 7 December 2015</div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1699840317140561303.post-73709096079029758142014-09-05T12:02:00.001+01:002014-12-08T11:40:15.509+00:00The Berger Prize 2014<h2>
<b>William MB Berger Prize for British Art History 2014</b></h2>
<h2>
<span style="font-size: small;">Books published 2013</span></h2>
<br />
<span style="font-size: large;">Winner of the £5000 annual prize</span><br />
<b><br /></b>
<b><span style="font-size: large;">Alex Bremner</span></b><br />
<i><span style="font-size: large;">Imperial Gothic. Religious Architecture and High Anglican Culture in The British Empire 1840–1870</span></i><br />
<span style="font-size: large;">Published by Yale University Press for the Paul Mellon Centre for Studies in British Art</span><br />
<br />
<br />
<b>SHORT LIST</b><br />
<br />
<i>William Kent: Designing Georgian Britain</i><br />
<b>Susan Weber, ed.</b><br />
Yale University Press for The Bard Graduate Center, New York<br />
9780300196184<br />
hb £60 pp 656, 624 col<br />
<div>
<br /></div>
<div>
<div>
<i>The Arts and Crafts Movement in Scotland: </i><i>A History</i></div>
<div>
<b>Annette Carruthers</b></div>
<div>
Yale University Press for the Paul Mellon Centre for Studies in British Art</div>
<div>
9780300109139</div>
<div>
hb £60 pp 424, 250bw, 100 col</div>
</div>
<div>
<br /></div>
<div>
<div>
<i>Houghton Revisited. The Walpole Masterpieces from Catherine the Great’s Hermitage</i></div>
<div>
<b>Thierry Morel, Andrew Moore, et al.</b></div>
<div>
Royal Academy Publications</div>
<div>
9781907533730 (Houghton pb) 9781907533518 (RA pb) </div>
<div>
9781907533501 (RA hb), hb £40 pp272, col</div>
</div>
<div>
<br /></div>
<div>
<div>
<i>Imperial Gothic. Religious Architecture and High Anglican Culture in The British Empire 1840–1870</i></div>
<div>
<b>G A Bremner</b></div>
<div>
Yale University Press for the Paul Mellon Centre for Studies in British Art</div>
<div>
9780300187038</div>
<div>
hb £50 pp384, 230 bw 60 col</div>
</div>
<div>
<br /></div>
<div>
<div>
<i>The City and The King. Architecture and Politics in Restoration London</i></div>
<div>
<b>Christine Stevenson</b></div>
<div>
Yale University Press for the Paul Mellon Centre for Studies in British Art</div>
<div>
9780300190229</div>
<div>
hb £45 pp 304, 115 bw 23 col</div>
</div>
<div>
<br /></div>
<div>
<div>
<i>Ham House. 400 Years of Collecting and Patronage</i></div>
<div>
<b>Christopher Rowell, ed</b></div>
<div>
The National Trust</div>
<div>
9780300185409</div>
<div>
hb £75 pp 536, 36 bw 398 col</div>
</div>
<div>
<br /></div>
<div>
<br /></div>
<div>
<b>LONG LIST</b></div>
<div>
<br /></div>
<div>
<div>
<i>The Reception of Titian in Britain</i></div>
<div>
<b>Peter Humfrey</b></div>
<div>
Brepols</div>
<div>
9782503536750, pb €70, pp255, 150 bw, 16 col</div>
<div>
<br /></div>
<div>
<i>Edwardian Opulence – British Art at the Dawn of the Twentieth Century</i></div>
<div>
<b>Angus Trumble and Andrea Wolk Rager</b></div>
<div>
Yale University Press/Yale Center for British Art</div>
<div>
9780300190250, hb £50, pp420, 30 bw, 350 col</div>
<div>
<br /></div>
<div>
<i>From There to Here: The Art of Michael Buhler</i></div>
<div>
<b>Mary Rose Beaumont, Jane England, John Mack</b></div>
<div>
Agra Publications/Lund Humphries (Ashgate Publishing)</div>
<div>
9781848221413 hb £35, pp180, 3bw, 152 col</div>
<div>
<br /></div>
<div>
<i>Roman Fever 1700–1870: Influence, Infection and the Image of Rome</i></div>
<div>
<b>Richard Wrigley</b></div>
<div>
Yale University Press </div>
<div>
9780300190212 hb £45, pp330, 65 bw, 50 col</div>
<div>
<br /></div>
<div>
<i>Elizabeth and her People</i></div>
<div>
<b>Tarnya Cooper with Jane Eade</b></div>
<div>
National Portrait Gallery</div>
<div>
978 185514 4651, hb £30, pp 224, 100 col</div>
<div>
<br /></div>
<div>
<i>West Country to Worlds End, The South West in the Tudor Age</i></div>
<div>
<b>Sam Smiles</b></div>
<div>
Paul Holberton Publishing</div>
<div>
9781907372520, pb £20, pp120, 50 col</div>
<div>
<br /></div>
<div>
<i>The Lost Carving: A Journey to the Heart of Making</i></div>
<div>
<b>David Esterly</b></div>
<div>
Duckworth Overlook</div>
<div>
9780715645475 hb £16.99, pp288, ill</div>
<div>
<br /></div>
<div>
<i>James Dickson Innes (1887–1914)</i></div>
<div>
<b>John Hoole and Margaret Simons</b></div>
<div>
Lund Humphries</div>
<div>
9781848221390 hb £45 (£40.50 web), pp184 2 bw, 166 col</div>
<div>
<br /></div>
<div>
<i>The Painted Closet of Lady Anne Bacon Drury</i></div>
<div>
<b>H L Meakin</b></div>
<div>
Ashgate Publishing Ltd</div>
<div>
9780754693973 hb £75, pp410, 31bw, 64col</div>
<div>
<br /></div>
<div>
<i>Stanley Spencer. Heaven in a Hell of War</i></div>
<div>
<b>Amanda Bradley & Howard Watson eds</b></div>
<div>
Pallant House Gallery </div>
<div>
in association with The National Trust</div>
<div>
9781869827137 pb £19.95, pp112, 10 bw, 81 col</div>
<div>
<br /></div>
<div>
<i>British Murals and Decorative Painting 1920–1960 </i></div>
<div>
<b>Alan Powers, et al.</b></div>
<div>
Sansom & Co</div>
<div>
978-1908326232 hb £40, 352pp, 120/130 col</div>
<div>
<br /></div>
<div>
<i>Art and The Second World War</i></div>
<div>
<b>Monica Bohm-Duchen</b></div>
<div>
Ashgate Publishing (Lund Humphries)</div>
<div>
9781848220331 hb £40 (£36 web ), pp288, 30bw, 185col</div>
<div>
<br /></div>
<div>
<i>Two Temple Place</i></div>
<div>
<b>Barbara Bryant</b></div>
<div>
Bulldog Trust</div>
<div>
9780957062825 hb £15, pp 96, col</div>
<div>
<br /></div>
<div>
<i>Magnificent Entertainments: Temporary Architecture for Georgian Festivals </i></div>
<div>
<b>Melanie Doderer-Winkler</b></div>
<div>
Yale University Press for the Paul Mellon Centre for Studies in British Art</div>
<div>
9780300186420 pp320, 100 bw, 133 col</div>
<div>
<br /></div>
<div>
<i>Anti-Ugly: Excursions in English Architecture and Design</i></div>
<div>
<b>Gavin Stamp</b></div>
<div>
Aurum Press Limited</div>
<div>
9781781311233 hb £16.99, pp272, bw</div>
<div>
<br /></div>
<div>
<i>Amy Sawyer of Ditchling, Artist, Eccentric and Lady of Letters</i></div>
<div>
<b>Anne Parfitt-King</b></div>
<div>
Country Books</div>
<div>
9781906789886 pb £15, pp186, 6bw, 36 col</div>
<div>
<br /></div>
<div>
<i>William Burgess and The High Victorian Dream</i></div>
<div>
<b>J Mordaunt Crook</b></div>
<div>
Frances Lincoln (revd edn)</div>
<div>
9780711233492 hb £45, pp432, bw, col</div>
<div>
<br /></div>
<div>
<i>Eric Ravilious Artist and Designer</i></div>
<div>
<b>Alan Powers</b></div>
<div>
Lund Humphries</div>
<div>
9781848221116 hb £35, pp216, col</div>
<div>
<br /></div>
<div>
<i>The Oxford Dictionary of Christian Art and Architecture</i></div>
<div>
<b>Peter & Linda Murray, revised Tom Devonshire Jones</b></div>
<div>
Oxford University Press</div>
<div>
9780199680276 hb £35, pp672, ill</div>
<div>
<br /></div>
<div>
<i>Men from The Ministry. How Britain Saved Its Heritage</i></div>
<div>
<b>Simon Thurley</b></div>
<div>
Yale University Press </div>
<div>
9780300195729 hb £18.99, pp224, 100 bw</div>
<div>
<br /></div>
<div>
<i>Gainsborough Cottage Doors – An Insight into the Artist’s Last Decade</i></div>
<div>
<b>Hugh Belsey</b></div>
<div>
Paul Holberton Publishing</div>
<div>
9781907372506 pb £25, pp120, 80 col</div>
<div>
<br /></div>
<div>
<i>J M W Turner RA (1775-1851) Masterpieces from the Whitworth Art Gallery</i></div>
<div>
<b>Andrew Clayton-Payne</b></div>
<div>
ACP Publications</div>
<div>
9780955948015 hb £25, pp55 17 col</div>
<div>
<br /></div>
<div>
<i>Magnificent Marble Statues: British Sculpture in the Mansion House</i></div>
<div>
<b>Julius Bryant</b></div>
<div>
Paul Holberton Publishing</div>
<div>
9781907372551 pb £20, pp144, 90 col</div>
<div>
<br /></div>
<div>
<i>Frank Holl: Emerging from the Shadows</i></div>
<div>
<b>Jonathan Black & Sara Ayres</b></div>
<div>
Philip Wilson Publishers</div>
<div>
9781781300107 hb £25, pp144, ill</div>
<div>
<br /></div>
<div>
<i>The Unfinished Monk</i></div>
<div>
<b>Richard Pitcairn-Knowles & Jeremy Howard</b></div>
<div>
Pitcairn-Knowles Publishing</div>
<div>
9780955859137 pb £15.99, pp268, ill</div>
<div>
<br /></div>
<div>
<i>Keith Vaughan – Figure and Ground</i></div>
<div>
<b>Colin Cruise</b></div>
<div>
Sansom & Co, in Association with School of Art, University of Aberystwyth</div>
<div>
9781908326331 pb £16.50, pp96, ill</div>
<div>
<br /></div>
<div>
<i>Landscapes of London: The City, Country and Suburbs 1660–1840</i></div>
<div>
<b>Elizabeth McKellar</b></div>
<div>
Yale University Press for the Paul Mellon Centre for Studies in British Art</div>
<div>
9780300109139 hb £45, pp 276, 120bw, 24 col</div>
<div>
<br /></div>
<div>
<i>Alan Sorrell: The Life and Works of an English Neo-Romantic Artist</i></div>
<div>
<b>Sacha Llewellyn & Richard Sorrell, eds</b></div>
<div>
The Fine Art Society/Liss Fine Art</div>
<div>
Sansom & Co</div>
<div>
9781908326379 pb £25, col</div>
<div>
<br /></div>
<div>
<i>Patrick Reyntiens: Catalogue of Stained Glass</i></div>
<div>
<b>Libby Horner</b></div>
<div>
Sansom & Co</div>
<div>
9781908326485 hb £60, pp352 col </div>
<div>
<br /></div>
<div>
<i>Turner and The Sea</i></div>
<div>
<b>Christine Riding & Richard Johns</b></div>
<div>
Thames & Hudson</div>
<div>
9780500239056 hb £35, pp288, 3 bw, 222 col</div>
<div>
<br /></div>
<div>
<i>The Young Van Dyck</i></div>
<div>
<b>Alejandro Vergara and Friso Lammertse</b></div>
<div>
Thames & Hudson</div>
<div>
9780500970508 hb £45, pp416, 36 bw, 242 col</div>
<div>
<br /></div>
<div>
<i>Francis Bacon – Five Decades</i></div>
<div>
<b>Anthony Bond</b></div>
<div>
Thames & Hudson</div>
<div>
9780500093757 hb £34.95, pp240, 215 col</div>
<div>
<br /></div>
<div>
<i>A is a Critic: Writings from The Spectator</i></div>
<div>
<b>Andrew Lambirth</b></div>
<div>
Unicorn Press</div>
<div>
9781906509200 pb£12.99, pp288</div>
<div>
<br /></div>
<div>
<i>Gwilym Prichard – A Lifetime’s Gazing</i></div>
<div>
<b>Harry Heuser & Robert Meyrick</b></div>
<div>
Sansom & Co</div>
<div>
9781908326157 hb £25, pp112, ill</div>
<div>
<br /></div>
<div>
<i>Treasures of the Royal Courts, Tudors, Stuarts and The Russian Tsars</i></div>
<div>
<b>Olga Dmitrieva & Tessa Murdoch</b></div>
<div>
V&A Publishing</div>
<div>
9781851777310 hb £30, pp176, col</div>
<div>
<br /></div>
<div>
<i>The Sheldonian Theatre: Architecture and Learning in Seventeenth Century Oxford</i></div>
<div>
<b>Anthony Geraghty</b></div>
<div>
Yale University Press for the Paul Mellon Centre for Studies in British Art</div>
<div>
9780300195040 hb £35, pp159, 22 bw, 45 col</div>
<div>
<br /></div>
<div>
<i>Ireland and the Picturesque</i></div>
<div>
<b>Finola O’Kane</b></div>
<div>
Yale University Press for the Paul Mellon Centre for Studies in British Art</div>
<div>
9780300185386 hb £45, pp304, 30 bw, 115 col</div>
<div>
<br /></div>
<div>
<i>The King’s Pictures. The Formation and Dispersal of the Collections of Charles I and his Courtiers</i></div>
<div>
<b>Francis Haskell (Nicholas Penny, Karen Serres, eds)</b></div>
<div>
Yale University Press for the Paul Mellon Centre for Studies in British Art</div>
<div>
9780300190120 hb £30, pp 260, 40 bw, 80 col</div>
<div>
<br /></div>
<div>
<i>Under the Banyan Tree: Relocating the Picturesque in British India</i></div>
<div>
<b>Romita Ray</b></div>
<div>
Yale University Press for the Paul Mellon Centre for Studies in British Art</div>
<div>
978030018769 hb £50, pp372, 60 bw, 50 col</div>
<div>
<br /></div>
<div>
<i>Georgians Revealed: Life Style and the Making of Modern Britain</i></div>
<div>
<b>Moira Goff, John Goldfinch, Karen Limper-Hertz and Helen Peden</b></div>
<div>
The British Library</div>
<div>
9780712357142 (pb) 9780712357135 (hb) 30 hb; £20 pb, pp168, 150col</div>
<div>
<br /></div>
<div>
<i>Concepts of Creativity in Seventeenth Century England</i></div>
<div>
<b>Rebecca Herissone & Alan Edward, eds</b></div>
<div>
The Boydell Press</div>
<div>
9781843837404 hb £60, pp372</div>
</div>
<div>
<br /></div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1699840317140561303.post-81194728449624711552014-01-03T11:29:00.001+00:002014-01-03T11:29:18.388+00:00<h2>
Now the British Library makes 1 million images available</h2>
<h3>
Copyright-free digital material… it's catching…</h3>
<div>
<span style="font-family: inherit;">Following our last report on the Getty's joining in on making digital material freely available for use, the British Library has put 1 million images available for use without restriction on Flickr.</span></div>
<div>
<span style="font-family: inherit;">Just follow <a href="http://www.flickr.com/photos/britishlibrary/">THIS LINK</a></span></div>
<div>
<span style="font-family: inherit;">In fact, using Flickr is not the brightest and best plan but it's a start, and screen grabs will have to come in handy here if you really want to use any of the images. Still it's a start. MORE please but make it more user friendly. Here is what they said:</span></div>
<div>
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<span style="color: #2b2b2b;"><span style="font-family: inherit;">'The release of these collections into the
public domain represent the Library’s desire to improve knowledge of and about
them, to enable novel and unexpected ways of using them, and to begin working
with researchers to explore and interpret large-scale digital collections.'</span></span></div>
<div class="MsoNormal">
<span style="color: #2b2b2b;"><span style="font-family: inherit;">Well, quite…</span></span></div>
<!--EndFragment--></div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1699840317140561303.post-50168568864828980932013-09-30T15:14:00.001+01:002013-09-30T15:14:23.896+01:00Getty Museum makes digital content available<h4>
Another step in the (copy)right direction…</h4>
Following the initiatives of the British Museum, Yale University, the Walters Art Museum, and other institutions honoured in these pages, the director of the Getty, James Cuno, wrote the following on the Getty’s online magazine (<a href="http://blogs.getty.edu/iris">http://blogs.getty.edu/iris</a>) 12 August 2013 (excerpted):<br />
<br />
"Today the Getty becomes an even more engaged digital citizen, one that shares its collections, research, and knowledge more openly than ever before. We’ve launched the Open Content Program to share, freely and without restriction, as many of the Getty’s digital resources as possible.<br />
The initial focus of the Open Content Program is to make available all images of public domain artworks in the Getty’s collections. Today we’ve taken a first step toward this goal by making roughly 4,600 high-resolution images of the Museum’s collection free to use, modify, and publish for any purpose.<br />
These are high-resolution, reproduction-quality images with embedded metadata, some over 100 megabytes in size.<br />
Why open content? Why now? The Getty was founded on the conviction that understanding art makes the world a better place, and sharing our digital resources is the natural extension of that belief. This move is also an educational imperative. Artists, students, teachers, writers, and countless others rely on artwork images to learn, tell stories, exchange ideas, and feed their own creativity. In its discussion of open content, the most recent Horizon Report, Museum Edition stated that ‘it is now the mark – and social responsibility – of world-class institutions to develop and share free cultural and educational resources.’ I agree wholeheartedly."<br />
<br />
And so, as our readers will know, does <i>The British Art Journal</i>…Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1699840317140561303.post-32946589220188506102013-07-05T09:37:00.000+01:002013-07-05T09:37:18.603+01:00Berger Prize Winner 2013: Wall Paintings of Eton<span style="font-family: inherit;">T<b>he William MB Berger Prize for British Art History 2013</b> was awarded to <i><b>Wall Paintings of Eton</b></i> by <b>Emily Howe, </b><b>Henrietta
McBurney, David Park, Stephen Rickerby, and Lisa Shekede</b>, published in 2012 by <b>Scala</b>, at a reception in London on the evening of Thursday 4 July 2013, held at the Paul Mellon Centre for Studies in British Art. The prize, worth £5000 to be shared among the authors, was presented by Professor Mark Hallett. The assessors said: 'This is a very exciting, major project on the the most important surviving 15th-century wall decoration of the north of the Alps. It also
features a major discovery of a 16th-century mural of a school scene that came
to light in 2005 in the Head Master’s Chambers. The production was perfect, the
scholarship outstanding, the international context explored; the book combines, in the most successful manner, conservation and technical reports with history of great clarity and authority.
There was also the romance of the story of the involvement of M.R. James in the
preservation of these very important paintings. Congratulations are also due to those who encouraged the project, including the Provost of Eton, Lord Waldegrave, and to the publisher and designer for creating such an attractive, beautifully produced book."</span><br />
<span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit;">The assessors are:</span><br />
<span style="font-family: inherit;">Timothy J Standring, Gates
Foundation Curator of Painting & Sculpture, Denver
Art Museum</span><br />
<!--StartFragment--><!--EndFragment--><div>
<span style="font-family: inherit;">Dr John Wilson, Director, Timken Museum of Art, San Diego</span></div>
<div>
<span style="font-family: inherit;">Dr Rosemary Hill</span></div>
<div>
<span style="font-family: inherit;">Andrew Wilton</span></div>
<div>
<span style="font-family: inherit;">Dr James Hamilton</span></div>
<div>
<span style="font-family: inherit;">Professor Robin Simon, Editor, <i>The British Art Journal</i></span></div>
<div>
<span style="font-family: inherit;"><br /></span></div>
<div>
<span style="font-family: inherit;">The assessors commented on the other shortlisted books as follows:</span></div>
<div>
<span style="font-family: inherit;"><br /></span></div>
<div>
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<span style="font-family: inherit;"><b><i><span lang="EN-US" style="color: #222222;">Basil Spence, Buildings and Projects</span></i></b><b><span lang="EN-US" style="color: #222222;"><o:p></o:p></span></b></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="color: #222222;"><b><span style="font-family: inherit;">Louise Campbell, Miles Glendinning and
Jane Thomas, eds.<o:p></o:p></span></b></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="color: #222222;"><span style="font-family: inherit;"><b>RIBA Publishing</b><o:p></o:p></span></span></div>
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<span style="font-family: inherit;">This is a tricky moment for Basil Spence:
still recent enough to be vulnerable to fashion and taste, the impact of such
buildings as Coventry Cathedral, the British embassy in Rome and the University
of Sussex still fresh in the memory. But this elegantly produced book is hugely impressive and to the
point, filling in much invaluable material and making sense of 20th-century
Modernism in Britain and the place of Spence within it. An example to all of how to combine several contribution
into a whole, that was the product of a vast amount of research.</span></div>
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<span style="font-family: inherit;"><br /></span></div>
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<span style="font-family: inherit;"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="color: black;">Japanned Papier </span></i></b><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">Mâché</i></b><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="color: black;">
and Tinware c1740-1940<o:p></o:p></span></i></b></span></div>
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<b><span style="font-family: inherit;"><span style="color: black;">Yvonne Jones</span><o:p></o:p></span></b></div>
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<span style="font-family: inherit;"><span style="color: black;"><b>The Antique Collectors Club</b></span><o:p></o:p></span></div>
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<!--StartFragment--><span style="font-family: inherit;">The assessors all agreed that this was a pioneering work, on a subject
that no-one knew anything about, but which opened a window onto the
interconnecting worlds of art, design and commerce. It was 'wondrous' and in
addition an ‘unbelievably beautiful book”' ‘I felt I was being introduced to a
world that was new and exciting, in a book that was especially well written.' It
might seem to the be last word, but the assessors felt that it really opened
the way forward to more research and further publications. A model of its kind.<!--EndFragment-->
</span></div>
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<span style="font-family: inherit;"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="color: black;">The London Square</span></i></b><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"> <o:p></o:p></i></b></span></div>
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<b><span style="font-family: inherit;"><span style="color: black;">Todd Longstaff-Gowan</span><o:p></o:p></span></b></div>
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<span style="font-family: inherit;"><b>Yale University Press for
the Paul Mellon Centre for Studies in British Art</b><!--EndFragment-->
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<!--StartFragment--><span style="font-family: inherit;">This was, all the assessors agreed, quite wonderful. The Prize several observed,
has often shown how writers outside the academic world are free from boundaries
limiting their investigations, for the very good reason that they simply do not
care to recognize that they exist. This book therefore moved freely and
fruitfully over architecture, design, social history, modern developments,
garden history, and more, over a long sweep of time, with endless
cross-references and interconnections. It was refreshing, and opened everyone’s
eyes to something, the London square, that we think we know but in fact rarely
properly reflect upon. There is now simply no excuse… <!--EndFragment--></span></div>
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<span style="font-family: inherit;"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="color: black;">James Wyatt, Architect to George III</span></i></b><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"> <o:p></o:p></i></b></span></div>
<div class="MsoNormal">
<span style="font-family: inherit;"><span style="color: black;">J<b>ohn Martin Robinson</b></span><b><o:p></o:p></b></span></div>
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<span style="font-family: inherit;"><b>Yale University Press for
the Paul Mellon Centre for Studies in British Art</b><!--EndFragment-->
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<!--StartFragment--><span style="font-family: inherit;">Wyatt the destroyer… Not a popular man. A tricky topic… This is a book
that has been long in the making and is comprehensive in its scope, arguing for
a more positive appreciation of one of the most important but neglected
architects in British history. It revealed the range and variety of Wyatt’s
inventiveness, his capacity to change and adapt, his sheer professionalism but
also, significantly, the beauty of many of his buildings. The illustrations
were of the highest quality and altogether the book represents an enduring resource.<!--EndFragment-->
</span></div>
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<span style="font-family: inherit;"><br /></span></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="color: black;"><span style="font-family: inherit;">George Stubbs:
1724-1806 Science into Art <o:p></o:p></span></span></i></b></div>
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<b><span style="font-family: inherit;"><span style="color: black;">Herbert
W Rott, ed.</span><i style="mso-bidi-font-style: normal;"><span style="color: black;"><o:p></o:p></span></i></span></b></div>
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<!--StartFragment-->
<span style="font-family: inherit;"><b>Prestel Publishing Ltd</b><!--EndFragment-->
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<!--StartFragment--><span style="font-family: inherit;">This is the
catalogue of an outstanding exhibition that only one of the assessors had been
lucky enough to see in Munich. The editor of the catalogue,
Herbert Rott, director at the Neue Pinakothek, succeeded in persuading his
board to agree to a Stubbs exhibition, with angle towards science, reflected in the title. The exhibition and the book were therefore shaped for a particular
audience but both succeeded triumphantly. 'The catalogue is a perfect model of
what a catalogue ought to be but so rarely is, these days…' It is especially
important in its treatment of the engravings and the scientific aspect of
Stubbs’ works. In the event, the exhibition was one of the most successful
exhibitions of recent time and in shortlisting this outstanding catalogue the assessors were especially happy to be
acknowledging a major initiative in the introduction of Stubbs to a German
audience.<!--EndFragment-->
</span></div>
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<span style="font-family: inherit;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: inherit;">Finally, not all books that ought to win prizes are large and the assessors wished
especially to commend <b>Ian Waites</b> for <b><i>Common Land in
English Painting 1700-1850 </i></b>published by <b>The Boydell Press</b>, a most elegantly written book that calmly knocked many entrenched but
erroneous notions about British landscape painting firmly on the head, almost
in passing…</span></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1699840317140561303.post-2732493173077833272013-06-27T08:09:00.001+01:002013-06-27T08:09:04.969+01:00Berger Prize Short List 2013The William MB Berger Prize for British Art History 2013<br />
Short List<br />
[books published in 2012: for Long List go to www.britishartjournal.co.uk home page, William MB Berger Prize in menu on right-hand side]<br />
The Prize, worth £5000 to the winner, will be awarded at a reception in London on Thursday 4 July 2013<br />
<ul>
<li><b><i>Basil Spence, Buildings and Projects</i></b></li>
<div class="p4" style="padding-left: 60px;">
<br />
Louise Campbell, Miles Glendinning and Jane Thomas, eds.</div>
<div class="p4" style="padding-left: 60px;">
<span class="s1">RIBA Publishing</span></div>
<div class="p4" style="padding-left: 60px;">
<span class="s1">ISBN 978-1859463093, </span></div>
<div class="p4" style="padding-left: 60px;">
<span class="s1">hb £46, pp368</span></div>
<div class="p4" style="padding-left: 60px;">
<span class="s1"><br /></span></div>
<li><b><i>Wall Paintings of Eton </i></b></li>
</ul>
<div class="p1" style="padding-left: 60px;">
<span class="s1">Emily Howe, Henrietta McBurney, David Park, Stephen Rickerby, Lisa Shekede</span></div>
<div class="p1" style="padding-left: 60px;">
<span class="s1">Scala, 8 November 2012</span></div>
<div class="p1" style="padding-left: 60px;">
<span class="s1">ISBN 978-1-857-59787-5</span></div>
<div class="p1" style="padding-left: 60px;">
<span class="s1">hb £35, pp192, colour 210</span></div>
<div class="p3" style="padding-left: 60px;">
</div>
<ul>
<li><b><i>Japanned Papier Mâché and Tinware c1740-1940</i></b></li>
</ul>
<div class="p1" style="padding-left: 60px;">
<span class="s1">Yvonne Jones</span></div>
<div class="p1" style="padding-left: 60px;">
<span class="s1">The Antique Collectors Club, 4 May 2012</span></div>
<div class="p1" style="padding-left: 60px;">
<span class="s1">ISBN 978-1-85149-6860</span></div>
<div class="p1" style="padding-left: 60px;">
<span class="s1">hb £45, pp336, 360 ills</span></div>
<div class="p3" style="padding-left: 60px;">
</div>
<ul>
<li><b><i>The London Square </i></b></li>
</ul>
<div class="p1" style="padding-left: 60px;">
<span class="s1">Todd Longstaff-Gowan</span></div>
<div class="p1" style="padding-left: 60px;">
<span class="s1">Yale University Press for the Paul Mellon Centre for Studies in British Art, 20 April 2012</span></div>
<div class="p1" style="padding-left: 60px;">
<span class="s1">ISBN 978-0-300-15201-2</span></div>
<div class="p1" style="padding-left: 60px;">
<span class="s1">hb £30, pp304, b/w 160, colour 100</span></div>
<ul>
<li><b><i>George Stubbs: 1724-1806 Science into Art </i></b></li>
</ul>
<div class="p1" style="padding-left: 60px;">
<span class="s1">Editor Herbert W Rott </span></div>
<div class="p1" style="padding-left: 60px;">
<span class="s1">Prestel Publishing Ltd, 29 February 2012</span></div>
<div class="p1" style="padding-left: 60px;">
<span class="s1">ISBN 978-3-79135170-4 English edition</span></div>
<div class="p1" style="padding-left: 60px;">
<span class="s1">hb £35, pp240,b/w 12, colour 153</span></div>
<ul>
<li><b><i>James Wyatt Architect to George III </i></b></li>
</ul>
<div class="p1" style="padding-left: 60px;">
<span class="s1">John Martin Robinson</span></div>
<div class="p1" style="padding-left: 60px;">
<span class="s1">Yale University Press for the Paul Mellon Centre for Studies in British Art, 21</span><span class="s2"><sup>st</sup></span><span class="s1"> May 2012</span></div>
<div class="p1" style="padding-left: 60px;">
<span class="s1">ISBN 978-0-300-17690-2</span></div>
<div class="p1" style="padding-left: 60px;">
<span class="s1">hb £50, pp400, b/w 170, colour 150</span></div>
<br />Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1699840317140561303.post-28357302025689754552013-06-21T15:00:00.008+01:002013-06-21T15:21:52.883+01:00<div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-WvJ5ae6p6k4/UO28z-mwXJI/AAAAAAAAALI/LtPwxOskZIY/s1600/R+III+face+detail+copy.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="292" src="http://2.bp.blogspot.com/-WvJ5ae6p6k4/UO28z-mwXJI/AAAAAAAAALI/LtPwxOskZIY/s320/R+III+face+detail+copy.jpg" width="320" /></a></div>
<div style="text-align: center;">
<b>Robin Simon is Paul Mellon Lecturer</b></div>
<div style="text-align: center;">
<b>in British Art 2013</b><br />
<b><br /></b></div>
<b>He gave the Paul Mellon Lectures at the National Gallery, London</b>, each Monday 14 January–11 February.<br />
The theme was British art and the theatre, with the title 'Painters and Players from Hogarth to Olivier'.<br />
Details on the <a href="http://www.nationalgallery.org.uk/paul-mellon-lectures-2013">National Gallery website</a><br />
<a href="http://en.wikipedia.org/wiki/Robin_Simon_(critic)">Robin Simon</a> was joined by actor William Chubb for the first four lectures, and for the final lecture by soprano Alison Pearce and Paul Wynne-Griffiths, piano. The music included works by Handel, Arne and Linley.<br />
<b>The lecture series was repeated at the <a href="http://britishart.yale.edu/people/robin-simon">Yale Center for British Art</a>, New Haven</b>, 10-24 April 2013, when Robin Simon was joined by the actor <a href="http://www.imdb.com/name/nm0022883/">Bruce Altman</a> for the first four lectures and by actor Alex Kramer for the fifth lecture.<br />
<br />Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1699840317140561303.post-64197025975180761542012-09-17T20:53:00.002+01:002012-09-17T20:55:47.411+01:00Motya CharioteerMotya Charioteer at the British Museum<br />
I have a question. Where's willy? Think about it. More to follow…Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1699840317140561303.post-24625918163710044822012-07-26T16:37:00.000+01:002012-07-26T16:47:45.497+01:00Terry Friedman is Berger Prize Winner 2012<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><b>Terry Friedman</b> is the winner of the £5000 William MB Berger Prize for British Art History 2012 for his book <i><b>The
Eighteenth Century Church in Britain</b> </i>published for the Paul Mellon Centre by Yale
University Press. </span><br />
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span><br />
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">The prize was presented by Sir Timothy Clifford at a reception held at the Paul Mellon Centre for Studies in British Art in London on the evening of Thursday 5 July. The book was, in the opinion of the assessors, ‘quite
simply definitive’. It seemed incredible, several thought, that ‘one man could
do it’. It was ‘a revelation of the sheer variety of architecture involved’,
all organized ‘with the utmost care and lucidity’. It seems to be, they said,
‘an exhaustive treatment’ of a very understudied but major subject, and yet it
‘opens up entirely new fields for further research and discussion’.</span><br />
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span><br />
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">Sir Timothy quoted the assessors' remarks about the other books on the Short List of six:</span><br />
<br />
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><i style="mso-bidi-font-style: normal;">J<b>ohn Zoffany RA: Society Observed</b></i><b>
edited by Martin Postle</b>, was the catalogue of the exhibition of the same name,
at Yale and the Royal Academy, published by the Yale Center for British Art,
New Haven, and the Royal Academy of Arts, in association with Yale University
Press. It was, in the assessors’ opinion, ‘fantastic, wonderful, with an
excellent cast of contributors’. ‘Exciting’, with ‘lots of new material’,
obviously at ‘the cutting edge of research’, and ‘beautifully produced’. It
‘shows the way forward for almost endless research into this underestimated
artist’. ‘This is the Zoffany who captures the imagination’.</span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><b><i style="mso-bidi-font-style: normal;">The English Castle </i>by<i style="mso-bidi-font-style: normal;"> </i>John Goodall</b><i style="mso-bidi-font-style: normal;">, </i>p<span lang="EN-US">ublished for the Paul Mellon Centre by Yale University
Press, was, the assessors said, an instance of ‘an individual scholar taking an
enormous subject and making it both clear and exciting’. ‘The extraordinary
clarity of the exposition was brilliantly complemented by splendid photographs
and invaluable diagrams of all kinds’. ‘The captions alone are brilliant’ while
‘the text with its many technical terms is not only easy to read but a great
pleasure’. It was, they thought, ‘definitive’.</span></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><b><i style="mso-bidi-font-style: normal;">Inigo Jones: The Architect of Kings
</i>by<i style="mso-bidi-font-style: normal;"> </i>Vaughan Hart</b>, <span lang="EN-US">published for the Paul Mellon Centre by Yale University Press,</span>
was ‘a model for a monograph on any architect’, a ‘focused effort at providing
both a national and international context to Jones’s architecture’. The book
was ‘full of stimulating ideas’, ‘fresh and exciting’, and ‘the author is at
pains to confront several contentious issues – and he does so with vigour’, and
puts forward ‘any number of ingenious and original interpretations’.</span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;">
</div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><b><i style="mso-bidi-font-style: normal;">Johan Zoffany: 1733-1810</i> by<i style="mso-bidi-font-style: normal;"> </i>Mary Webster</b> was also published for the
Paul Mellon Centre for Studies in British Art by Yale University Press. This
was ‘truly the achievement of a lifetime’, a book that has been some forty
years in the making, and it was ‘well worth the wait’. It was, the assessors
felt, not only ‘extremely successful as a biography’ but also ‘hugely
enjoyable’ with its subject ‘emerging from the shadows in all his eccentricity
and brilliance’. The ‘excellent illustrations’ were considered by several of
the judges almost as valuable as the ‘mass of historical material so very well
marshalled and presented’. ‘A great book’.</span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><i style="mso-bidi-font-style: normal;"><b>Royal Manuscripts: The
Genius of Illumination </b></i><b>by<i style="mso-bidi-font-style: normal;"> </i>Scot Mckendrick, John
Lowden & Kathleen Doyle</b>, published by British Library Publishing,
accompanied the magnificent exhibition of the same name. It was, said the
assessors, ‘exactly the kind of exhibition that the British Library ought to
put on, and the book amply complemented an extraordinary show’. The
illustrations are ‘stunningly’, ‘jaw-droppingly’ beautiful. ‘If anything it
left one wishing for more’.
</span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">Sir Timothy reported that t<span class="Apple-style-span" style="line-height: normal;">he
assessors wished especially to note the outstanding nature of a few of the many
titles which can be seen on the Long List, notably the pioneering study by
<b>Gwen Yarker of portraiture in Dorset, <i style="mso-bidi-font-style: normal;">Georgian
Faces – Portrait of a County</i></b>; the <b>book</b> (in Dutch) of the <b>Stanley
Spencer exhibition in Rotterdam by Alied Ottevanger</b>; and the catalogue raisonné
of <b>William Nicholson by Patricia Reed, Wendy Baron and Merlin James</b>.</span></span><span class="Apple-style-span" style="line-height: normal;">
</span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="line-height: normal;"><br /></span></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif; line-height: normal;">The assessors were: </span><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">Timothy J. Standring, Gates Foundation Curator of
Painting & Sculpture, Denver Art </span><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">Museum; </span><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">Robin Simon, Editor, <i>The British Art Journal</i></span><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">; Rosemary Hill, sometime Fellow, All Souls’ College,
Oxford, and independent scholar; </span><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">Katherine Eustace, Editor of the <i style="mso-bidi-font-style: normal;">Sculpture</i> journal; </span><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">Desmond Shawe-Taylor, Surveyor of The Queen’s
Pictures; </span><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">Angus Trumble, Senior Curator of Paintings and
Sculpture, Yale Center for British Art</span></div>
<br />
<br />
<br />
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-size: 11pt;"> <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<i style="mso-bidi-font-style: normal;"><span style="font-size: 11pt;"><o:p></o:p></span></i></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1699840317140561303.post-53493880870382532322012-07-04T10:25:00.002+01:002012-07-26T17:00:52.831+01:00Berger Prize 2012<b><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">The William MB Berger Prize for British Art History 2012</span></b><br />
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><b>Short List</b> (books published in 2011) (Long List below)</span><br />
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span><br />
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">The
Eighteenth Century Church in Britain<o:p></o:p></span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Terry Friedman<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span lang="EN-US" style="font-size: 11pt;">Published for the Paul Mellon Centre by Yale
University Press</span><span style="font-size: 11pt;"> <o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">ISBN 978-0-300-15908-0, £60, pp 496, 520
bw, 185 col<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">The
English Castle<o:p></o:p></span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">John Goodall<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt; text-autospace: none;">
<span lang="EN-US" style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Published for the Paul Mellon Centre by Yale
University Press<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">ISBN 978-0-300-11058-6, £45, pp480, 100
bw, 250 col<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Inigo
Jones: The Architect of Kings<o:p></o:p></span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Vaughan Hart<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span lang="EN-US" style="font-size: 11pt;">Published for the Paul Mellon Centre by Yale University
Press</span><span style="font-size: 11pt;"> <o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">ISBN 9780300141498, £35, pp336, 130 bw,
100 col<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Royal
Manuscripts: The Genius of
Illumination<o:p></o:p></span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Scot Mckendrick, John Lowden &
Kathleen Doyle<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">British Library publishing<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">ISBN 9780712358156, £40, pp448, 300 col<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span></div>
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<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 11pt;">John
Zoffany RA Society Observed</span></i><span style="font-size: 11pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Martin Postle, ed<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Yale Center for British Art, New Haven,
& Royal Academy of Arts, London, in association with Yale University Press,
New Haven & London<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">ISBN 9781907533266, £40 hb, £24.95 pb,
pp 320, 5 bw, 225 col<o:p></o:p></span></div>
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<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 11pt; line-height: 115%;">Johan Zoffany: 1733-1810</span></i><span style="font-size: 11pt; line-height: 115%;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Mary Webster <o:p></o:p></span></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Published for the Paul Mellon Centre
for Studies for British Art by Yale University Press<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">ISBN 9780300162783, £40, pp416, 175
bw, 180 col<o:p></o:p></span></div>
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span><br />
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><b>The award of the prize, worth £5000 to the winner, will be made at an evening reception on 5 July 2012</b> at the Paul Mellon Centre for Studies in British Art, London. It will be presented by Sir Timothy Clifford. Past winners and details of the prize can be found at <a href="http://www.bergercollection.org/index.php?id=8">this link</a></span><br />
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span><br />
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span><br />
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<b><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">The William MB Berger Prize for British Art History 2012</span></b></div>
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><b>Long List</b> (books published in 2011)</span></div>
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</div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Georgian
Faces. Portrait of a County<o:p></o:p></span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Gwen Yarker<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Dorset County Museum <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Dorset Natural History & Archaeological Society<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span lang="EN-US" style="font-size: 11pt;">ISBN 978-0-900341-05-2</span><span style="font-size: 11pt;">, pp111,
100+ col & bw<o:p></o:p></span></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif;">The
Eighteenth Century Church in Britain</span></i><br />
<span style="font-family: Times, 'Times New Roman', serif;">Terry Friedman</span><br />
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span lang="EN-US">Published for the Paul Mellon Centre by Yale
University Press</span></span><br />
<span style="font-family: Times, 'Times New Roman', serif;">ISBN 978-0-300-15908-0, £60, pp 496, 520
bw, 185 col</span><br />
<span style="font-family: Times, 'Times New Roman', serif;"><br /></span><i style="background-color: white;"><span style="background-color: white;">Stanley Spencer </span><span style="background-color: white;">Schilderkunst tussen hemel en aarde (Stanley
Spencer Painting </span><span style="background-color: white;">Between Heaven and Earth</span></i><br />
<span style="font-family: Times, 'Times New Roman', serif; line-height: 115%;">Alied Ottevanger</span><br />
<span style="font-family: Times, 'Times New Roman', serif; line-height: 115%;">WBOOKS www.wbooks.com</span><br />
<span style="font-family: Times, 'Times New Roman', serif; line-height: 115%;">ISBN 978 90 891 0306 2, Euros 39,50,
pp169, 100+ col</span></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;"><br /></span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;"><span class="Apple-style-span" style="font-family: Times; font-size: small; line-height: normal;"><i><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 17px;">Roma Britannica. Art Patronage and Cultural Exchange in Eighteenth-century Rome</span></i></span></span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">David R Marshall, Susan Russell, Karin Wolfe, eds</span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">The British School at Rome, London</span><br />
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">ISBN 978 0 904152 55 5, £35 (pb), pp374, 158 bw, 52 col</span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">William
Nicholson. A Catalogue Raisonné of the Oil Paintings<o:p></o:p></span></i></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Patricia Reed, Wendy Baron, Merlin James<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Yale University Press<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span style="font-size: 11pt;">ISBN </span><span lang="EN-US" style="font-size: 11pt;">9780300170542,
£95, pp672, 640 col, 90 bw<o:p></o:p></span></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Rossetti:
Painter and Poet<o:p></o:p></span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">JB Bullen<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Frances Lincoln Ltd<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">ISBN 978-0-7112-3225-9, £35 hb, pp272,
180 col & bw<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Strawberry
Hill<o:p></o:p></span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Anna Chalcraft & Judith Viscardi<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Frances Lincoln Publishers<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">ISBN 9780711231849, £20 pb, pp160, 100
col<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Imperial
Landscapes: Britain’s Global Visual Culture 1745-1820<o:p></o:p></span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">John E Crowley, author<o:p></o:p></span></div>
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<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span lang="EN-US" style="font-size: 11pt;">Published for the Paul Mellon Centre by Yale
University Press</span><span style="font-size: 11pt;"> <o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">ISBN 9780300170504, £45, pp320, 115 bw,
135 col<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
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<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Art
for the Nation: The Eastlakes & the Victorian Art World<o:p></o:p></span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Susanna Avery-Quash & Julie Sheldon<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Yale University Press<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">ISBN 9781857095074, £27, pp 304, 14 bw,
28 col<o:p></o:p></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">The
English Castle<o:p></o:p></span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">John Goodall<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Published for the Paul Mellon Centre by Yale
University Press<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">ISBN 978-0-300-11058-6, £45, pp480, 100
bw, 250 col<o:p></o:p></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Mysterious
Wisdom: The Life & Work of Samuel Palmer<o:p></o:p></span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Rachel Campbell-Johnston<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Bloomsbury Press<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">ISBN 978-0-7475-9587-8, £25 pp400, 15
col<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 11pt;">The
Cult of Beauty</span></i><span style="font-size: 11pt;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Stephen Calloway & Lynn Federle Orr,
eds<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">V&A Publishing<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">ISBN 9781851776283, £40, pp288, 250 col<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Inigo
Jones: The Architect of Kings<o:p></o:p></span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Vaughan Hart<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span lang="EN-US" style="font-size: 11pt;">Published for the Paul Mellon Centre by Yale
University Press</span><span style="font-size: 11pt;"> <o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">ISBN 9780300141498, £35, pp336, 130 bw,
100 col<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">English
Drawings & Watercolours 1600-1900<o:p></o:p></span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Christopher Baker, author<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">National Galleries of Scotland<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">ISBN 9781906270353, £125, pp464, 460 col<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Public
Sculpture of Bristol<o:p></o:p></span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Douglas Merritt & Francis Greenacre
with Katherine Eustace<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Liverpool University Press<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">ISBN 9781846316388, £30 pb, £60 hb,
pp306, 350 bw<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">The
New Painting of the 1860s<o:p></o:p></span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Allen Staley<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Yale University Press<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">ISBN 9780300175677, £50, pp438, 150bw,
200 col<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Turner
and the Elements<o:p></o:p></span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Ortrud Westheider and Michael Philipp,
eds<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Hirmer Publishers<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">ISBN 3777440019, £39.95, pp256, 10 bw,
150 col<o:p></o:p></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Empire
To Nation: Art, History and the Visualization of Maritime Britain 1786-1829<o:p></o:p></span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Geoff Quilley<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span lang="EN-US" style="font-size: 11pt;">Published for the Paul Mellon Centre by Yale
University Press</span><span style="font-size: 11pt;"> <o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">ISBN 9780300175684, £40, pp304, 100 bw,
40 col<o:p></o:p></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">John
Constable: Oil Sketches from the V & A<o:p></o:p></span></i></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Mark Evans<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">V&A Publishing<o:p></o:p></span></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">ISBN 9781851776269, £25, pp144, 120 col<o:p></o:p></span></div>
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<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Canterbury
Cathedral Priory: In the age of Becket<o:p></o:p></span></i></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Peter Fergusson, author<o:p></o:p></span></div>
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<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span lang="EN-US" style="font-size: 11pt;">Published for the Paul Mellon Centre by Yale
University Press</span><span style="font-size: 11pt;"> <o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">ISBN 978-0-300-175691, £50, pp288, 100
bw, 50 col<o:p></o:p></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Royal
Manuscripts: The Genius of
Illumination<o:p></o:p></span></i></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Scot Mckendrick, John Lowden &
Kathleen Doyle<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">British Library publishing<o:p></o:p></span></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">ISBN 9780712358156, £40, pp448, 300 col<o:p></o:p></span></div>
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span style="font-size: 11pt;"><br clear="ALL" style="page-break-before: always;" />
</span>
</span><br />
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 11pt;">John
Zoffany RA Society Observed</span></i><span style="font-size: 11pt;"><o:p></o:p></span></span></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Martin Postle, ed<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">Yale Center for British Art, New Haven,
& Royal Academy of Arts, London, in association with Yale University Press,
New Haven & London<o:p></o:p></span></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt;">ISBN 9781907533266, £40 hb, £24.95 pb,
pp 320, 5 bw, 225 col<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Writing The Lives of Painters: Biography & Artistic Identity in
Britain 1760-1810<o:p></o:p></span></i></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Karen Junod<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Oxford University Press<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">ISBN 9780199597000, £63, pp 272, 25
bw<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">The Manchester Art Treasures Exhibition of 1857:<o:p></o:p></span></i></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Entrepreneurs, Connoisseurs & the Public<o:p></o:p></span></i></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Elizabeth A Pergam<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Ashgate Publishing<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">ISBN 9781409418306, £70, pp396, 53
bw, 12 col<o:p></o:p></span></div>
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<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">John Martin Apocalypse<o:p></o:p></span></i></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Martin Myrone, ed<o:p></o:p></span></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Tate Publishing<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">ISBN 978 1 85437 889 7, £30, pp240,
100+ col<o:p></o:p></span></div>
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<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">An Artists’ Village: GF Watts & Mary Watts at Compton<o:p></o:p></span></i></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Mark Bills<o:p></o:p></span></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Philip Wilson Publishers<o:p></o:p></span></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">ISBN 9780856676963, £19.95, pp176,
100+ bw & col<o:p></o:p></span></div>
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<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Francis Bedford, Landscape Photography & Nineteenth Century British
Culture<o:p></o:p></span></i></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Stephanie Spencer<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Ashgate publishing<o:p></o:p></span></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">ISBN 9781409408536, £60, pp212, ill
bw<o:p></o:p></span></div>
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<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Watercolour<o:p></o:p></span></i></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Alison Smith, ed<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Tate publishing<o:p></o:p></span></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">ISBN 9781854379139, £24.99, pp192,
150 col<o:p></o:p></span></div>
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<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Stanley Spencer and the English Garden<o:p></o:p></span></i></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Steven Parissien, ed<o:p></o:p></span></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Paul Holberton Publishing<o:p></o:p></span></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">ISBN 9781907372124, £16.99, pp96, 50
col<o:p></o:p></span></div>
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<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">John Piper in Kent & Sussex<o:p></o:p></span></i></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Nathaniel Hepburn, ed<o:p></o:p></span></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Mascalls Gallery<o:p></o:p></span></div>
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<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span style="font-size: 11pt; line-height: 115%;">ISBN </span><span lang="EN-US" style="font-size: 11pt; line-height: 115%;">978-0956767608</span><span style="font-size: 11pt; line-height: 115%;">, £20, pp 128, ill col <o:p></o:p></span></span></div>
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span style="font-size: 11pt; line-height: 115%;"><br clear="ALL" style="page-break-before: always;" />
</span>
</span><br />
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 11pt; line-height: 115%;">Johan Zoffany: 1733-1810</span></i><span style="font-size: 11pt; line-height: 115%;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Mary Webster <o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Published for the Paul Mellon Centre
for Studies for British Art by Yale University Press<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">ISBN 9780300162783, £40, pp416, 175
bw, 180 col<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Constable and Salisbury: The Soul of Landscape<o:p></o:p></span></i></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Timothy Wilcox<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Scala Publishers<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">ISBN 978 1 85759 679 3, £25, pp196,
138 bw & col<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Painting Canada: Tom Thomson and the Group of Seven<o:p></o:p></span></i></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Ian Dejardin et al<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Philip Wilson Publishers<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">ISBN 9780856677083, £45, pp216, 40
bw, 196 col<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Lost and Found: Wright of Derby’s View of Gibraltar<o:p></o:p></span></i></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">John Bonehill, Janet M Brooke, David
de Witt & Barbara Klempan<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Agnes Etherington Art Centre<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Queen’s University, Kingston, Ontario<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">ISBN 9781553392583, £38.99, pp 66,
ills col<o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Court on Canvas: Tennis in Art<o:p></o:p></span></i></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Ann Sumner, ed<o:p></o:p></span></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Philip Wilson Publishers<o:p></o:p></span></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">ISBN 9780856677069 (pb), £20, pp176<o:p></o:p></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Hope: The Life & Times of a Victorian Icon<o:p></o:p></span></i></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Nicholas Tromans, author<o:p></o:p></span></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Watts Gallery<o:p></o:p></span></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">ISBN 9780956102270, £10<o:p></o:p></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Gainsborough’s Landscapes<o:p></o:p></span></i></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Susan Sloman, author<o:p></o:p></span></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Philip Wilson Publishers<o:p></o:p></span></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">ISBN 9780856676970, £14.99, pp 120<o:p></o:p></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">John Craxton<o:p></o:p></span></i></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Ian Collins, author<o:p></o:p></span></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Ashgate Publishing<o:p></o:p></span></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">ISBN 9781848220690, £35pp 186 bw 47
col179<o:p></o:p></span></div>
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<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 11pt; line-height: 115%;">Meetings in Marrakech </span></i><b style="mso-bidi-font-weight: normal;"><span style="font-size: 11pt; line-height: 115%;"><o:p></o:p></span></b></span></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Vincenza Russo – Editorial
Coordination<o:p></o:p></span></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">Skira Editore <o:p></o:p></span></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: 11pt; line-height: 115%;">ISBN 9788857212418, pp 76 ill 50<o:p></o:p></span></div>
<br />Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1699840317140561303.post-21051640839010744672011-10-02T18:09:00.000+01:002011-10-02T18:09:19.590+01:00Call for papers AAH Conference 2012<b>Call for papers</b><br />
<b>AAH Annual Conference 2012</b><br />
<b>The Open University,</b><br />
<b>Milton Keynes 29-31 March 2012</b><br />
‘Conflicting Art Histories: Dialogues of Cosmopolitanism and Nationalism in Eighteenth-Century British Culture’. Session Convenors: Freya Gowrley and Viccy Coltman, University of Edinburgh, <a href="mailto:f.l.gowrley@gmail.com">f.l.gowrley@gmail.com</a>, <a href="mailto:viccy.coltman@ed.ac.uk">viccy.coltman@ed.ac.uk</a><br />
William Hogarth’s traditional position as the stalwart of English nationalism in the arts was drastically re-evaluated in 2007 with the publication of Robin Simon’s <i><a href="http://www.paul-holberton.net/hogarth-france-and-british-art,product,view,66,2,,.html">Hogarth, France & British Art</a></i>. Published to coincide with the Tate’s major Hogarth exhibition of 2007, Simon’s text situates Hogarth, a renowned anglophile, within a firmly European context of artistic theory and practice. How does the idea that Hogarth gleefully propagated his anti-Gallic public image, but was in fact greatly indebted to French art and theory, affect our understanding of apparently critical 18th-century works of art such as his <i><a href="http://www.nationalgallery.org.uk/paintings/william-hogarth-marriage-a-la-mode-1-the-marriage-settlement">Marriage A-la-Mode</a></i> (1743-5)? While historians Linda Colley and Gerald Newman prioritised national identity as an evaluative tool for the examination of aspects of eighteenth-century British culture, is it appropriate to apply this label to broad cultural manifestations, notably the consumptive behavioural patterns of the<br />
aristocracy and the middling classes alike? This session will consider this intriguing dichotomy of 18th-century British art – the underwritten and unresolved conflict between nationalism and cosmopolitanism – and its relation to the artistic practice, material culture and intellectual history of the period.<br />
Topics for discussion could include, but are not limited to: artistic response to the luxury debates; landscape and nation; the connoisseur and the Grand Tour; the usefulness of labels (exotic, chinoiserie, rococo); the reception of Italy; the creation of a British national school; consumption & the meaning of goods; the local and the global/the provincial and the metropolitan; the issue of Englishness, Britishness, Scottishness.Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1699840317140561303.post-90123200728817587812011-08-30T18:21:00.001+01:002011-08-30T18:22:07.776+01:00Copyright… and non-copyright<b>Editorial in <i>The British Art Journal</i>, XII, 1</b><br />
<br />
<br />
<b>Setting scholarship – and shower-curtain design – free</b><br />
http://britishart.yale.edu/collections/search<br />
<br />
<b>The Yale Center for British Art</b>, New Haven, has placed digital images of its collections online. So far, so familiar. What is extraordinary is that all the images have been made available for reproduction free of charge, in superb high-resolution format, with no restrictions over use. Indeed, this applies to all the collections of Yale University. Other institutions in the USA are now considering whether to follow. The British Museum is the major institution that had already taken the same step in the UK. Otherwise the outlook in Britain is depressingly outdated, with museums and galleries, as this journal has frequently pointed out, obstructing not only scholarship but also wider familiarity with their collections through the imposition of restrictive conditions on use and punitive fees. What makes it worse, much worse, are the outrageous claims to ‘copyright’ that are attached to the use of images, preposterously applied to the mechanical reproduction of original works of art long out of copyright. This loathsome practice must stop.<br />
The Yale Center found that the cost of collecting the fees was greater than the ‘pitiful’ sums it managed to accumulate under the old system, and that must be the case with the many museums and galleries in the UK that still adhere to the restrictive practices of the past. The Royal Collection, which has probably more objects of desire than almost anywhere else, certainly found that to be the case. Alas, having closed down its own fee collection ‘service’, the Royal Collection has taken the fateful step of placing its reproduction arrangements in the hands of none other than the Bridgeman Art Library, an agency much given to the issuing of the most restrictive and tendentious terms and conditions, and the charging of high fees. Now that digital image-making of the highest quality can be achieved by a toddler with the right equipment, any continuing attempts to create a pseudo-copyright in the UK by ‘licensing’ the use of images of out-of copyright works of art is outrageous, but it is also foolish.<br />
Come on, Tate, National Portrait Gallery, National Gallery, Victoria & Albert Museum! Some of you (OK, not the Tate) have made a bit of an effort to make scholarly publication a little less expensive, although the whole process is still needlessly complicated, involving hordes of staff who could be better deployed on more frutiful exercises. But it is time to grow up, enter the twenty-first century, embrace the digital age, make it all free, and, like the Yale Center, discover the excitement of a host of new visitors across the globe poring over your collections. And by that we don’t mean attempting to decipher those mingy, mean, little, blurry, low-resolution, watermarked, restricted access, tantalising glimpses of great paintings you so reluctantly allow, and that merely drive people away. No. They must be like the Yale and BM images, available to be studied in the greatest detail on screen and – crucially – retained. So listen up, bring on the high-res download! Bring on the Leonardo shower-curtain and the Van Gogh bathmat! Free! That way people get to know the works of art you care for. After all, though it sometimes seems to be forgotten, that is your job.<br />
<br />
<b>So farewell then, Lucian Freud </b>((born 8 December 1922, died 21 July 2011). The Tate had a good oil (a little portrait of Francis Bacon) but it was stolen. Prejudices there against figurative painting being what they are, it bought very few of his oils, and then prices went through the roof. Not that you can see most of the Tate’s holdings on its website owing to ‘copyright restrictions’: genuine, but stupid, and not the Tate’s fault.<br />
And no, we made no attempt to negotiate the ‘right’ to illustrate one of them on the cover.<br />
Life, as Freud may now be lamenting in that great studio in the sky, is too short.Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1699840317140561303.post-55749411120435114092011-08-01T09:29:00.000+01:002011-08-01T09:29:00.483+01:00Berger Prize Winner 2011<!--[if gte mso 9]><xml> <o:DocumentProperties> <o:Template>Normal</o:Template> <o:Revision>0</o:Revision> <o:TotalTime>0</o:TotalTime> <o:Pages>1</o:Pages> <o:Words>65</o:Words> <o:Characters>375</o:Characters> <o:Company>the world</o:Company> <o:Lines>3</o:Lines> <o:Paragraphs>1</o:Paragraphs> <o:CharactersWithSpaces>460</o:CharactersWithSpaces> <o:Version>10.260</o:Version> </o:DocumentProperties> </xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:Zoom>0</w:Zoom> <w:DisplayHorizontalDrawingGridEvery>0</w:DisplayHorizontalDrawingGridEvery> <w:DisplayVerticalDrawingGridEvery>0</w:DisplayVerticalDrawingGridEvery> <w:UseMarginsForDrawingGridOrigin/> </w:WordDocument> </xml><![endif]--> <!--StartFragment--> <br />
<div align="center" class="MsoNormal" style="line-height: 150%; text-align: center;"><span style="font-family: "ACaslon SemiboldSC"; font-size: 11.0pt;"><b>William MB Berger Prize for British Art History 2011<o:p></o:p></b></span></div><div align="center" class="MsoNormal" style="line-height: 150%; text-align: center;"><br />
</div><span style="font-family: "ACaslon Regular"; font-size: 11.0pt; mso-ansi-language: EN-GB;">The annual prize for best book in the history of British art, worth</span><span style="font-family: "ACaslon SemiboldSC"; font-size: 11.0pt; mso-ansi-language: EN-GB;"> £5000</span><span style="font-family: "ACaslon Regular"; font-size: 11.0pt; mso-ansi-language: EN-GB;">, was won by <b>Charlotte Gere and Judy Rudoe for </b></span><span style="font-family: "ACaslon Regular"; font-size: 11.0pt; mso-ansi-language: EN-GB;"><i>Jewellery in the Age of Queen Victoria: A Mirror to the World </i></span><span style="font-family: "ACaslon Regular"; font-size: 11.0pt; mso-ansi-language: EN-GB;">published by British Museum Press. The prize was presented by A.N. Wilson at an evening reception held at the Paul Mellon Centre for Studies in British Art, 16 Bedford Square, Bloomsbury, London, on Tuesday 5 July 2011</span><!--EndFragment-->Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1699840317140561303.post-54549740896468202972011-06-24T09:53:00.001+01:002011-06-30T10:42:44.117+01:00Berger Prize 2011 Short List<div class="MsoNormal"><span style="font-size: 11pt;"><b>William MB Berger Prize for British Art History 2011<o:p></o:p></b></span></div><div class="MsoNormal"><span style="font-size: 11pt;">[books published 1 January-31 December 2010]<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-size: 11pt;"></span><span class="Apple-style-span" style="font-size: 15px;"><b>Short List</b></span></div><div class="MsoNormal"><br />
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</span></div><div class="MsoNormal"><span style="font-size: 11pt;"><b>Celina Fox<o:p></o:p></b></span></div><div class="MsoNormal"><span style="font-size: 11pt;"><i>The Arts of Industry In the Age of Enlightenment<o:p></o:p></i></span></div><div class="MsoNormal"><span style="font-size: 11pt;">Yale University Press<o:p></o:p></span></div><div class="MsoNormal"><span style="font-size: 11pt;">ISBN 978 0 300 16042 0, £50, pp576, 200 bw, 60 col<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-size: 11pt;"><b>Cherry Ann Knott<o:p></o:p></b></span></div><div class="MsoNormal"><span style="font-size: 11pt;"><i>George Vernon 1636-1702 ‘Who built this House’. Sudbury Hall Derbyshire<o:p></o:p></i></span></div><div class="MsoNormal"><span style="font-size: 11pt;">Tun House Publishing<o:p></o:p></span></div><div class="MsoNormal"><span style="font-size: 11pt;">ISBN 978 0 9565240 0 3, £75 (signed limited edition of 500), pp782, illus bw & col<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-size: 11pt;"><b>Cecilia Powell & Stephen Hebron<o:p></o:p></b></span></div><div class="MsoNormal"><span style="font-size: 11pt;"><i>Savage Grandeur & Noblest Thoughts. Discovering the Lake District 1750-1820<o:p></o:p></i></span></div><div class="MsoNormal"><span style="font-size: 11pt;">Exhibition catalogue Wordsworth Trust<o:p></o:p></span></div><div class="MsoNormal"><span style="font-size: 11pt;">ISBN </span><span lang="EN-US" style="color: #1a1a1a; font-size: 11pt;">978 1 905256 42 6</span><span style="font-size: 11pt;">, £19.95, many illus in colour<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-size: 11pt;"><b>Charlotte Gere & Judy Rudoe<o:p></o:p></b></span></div><div class="MsoNormal"><span style="font-size: 11pt;"><i>Jewellery in the Age of Queen Victoria: A Mirror to the World<o:p></o:p></i></span></div><div class="MsoNormal"><span style="font-size: 11pt;">British Museum Press<o:p></o:p></span></div><div class="MsoNormal"><span style="font-size: 11pt;">ISBN </span><span lang="EN-US" style="font-size: 11pt;">978-0714128191</span><span style="font-size: 11pt;">, £50, pp552, 100 bw, 400 col<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-size: 11pt;"><b>Malcolm Jones<o:p></o:p></b></span></div><div class="MsoNormal"><span style="font-size: 11pt;"><i>The Print in Early Modern England: An Historical Oversight<o:p></o:p></i></span></div><div class="MsoNormal"><span style="font-size: 11pt;">Yale University Press for the Paul Mellon Centre for Studies in British Art<o:p></o:p></span></div><div class="MsoNormal"><span style="font-size: 11pt;">ISBN 978 0300136975, £45, pp352, 270 bw, 20 col<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-size: 11pt;"><b>Ilaria Bignamini and Clare Hornsby<o:p></o:p></b></span></div><div class="MsoNormal"><span style="font-size: 11pt;"><i>Digging and Dealing in Eighteenth-century Rome<o:p></o:p></i></span></div><div class="MsoNormal"><span style="font-size: 11pt;">Yale University Press<o:p></o:p></span></div><div class="MsoNormal"><span style="font-size: 11pt;">ISBN </span><span lang="EN-US" style="font-size: 11pt;">978-0300160437</span><span style="font-size: 11pt;">, £45, 2 vols, pp630, 200 bw, 50 col<o:p></o:p></span></div><div class="MsoNormal"><span style="font-size: 11pt;"><br />
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</span></div><div class="MsoNormal"><span style="font-size: 11pt;"><span class="Apple-style-span" style="color: #204063; font-family: Helvetica, Arial, Verdana, 'Trebuchet MS', sans-serif; font-size: x-small;"><b></b></span></span></div><b></b><br />
<b></b><br />
<b><div class="MsoNormal" style="text-align: left;"><span lang="EN-US" style="font-size: 10pt;"><span class="Apple-style-span" style="font-weight: normal;">The award of the </span>William MB Berger Prize for British Art History<span class="Apple-style-span" style="font-weight: normal;"> worth £5000 to the winner will be made by </span>A.N. Wilson<span class="Apple-style-span" style="font-weight: normal;"> at a ceremony in London UK on the evening of 5 July 2011<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span lang="EN-US" style="font-size: 10pt;"><span class="Apple-style-span" style="font-weight: normal;"><br />
</span></span></div><div class="MsoNormal" style="text-align: left;"><span lang="EN-US" style="font-size: 10pt;">Assessors</span><span lang="EN-US" style="font-size: 10pt;"><span class="Apple-style-span" style="font-weight: normal;"> Timothy J. Standring, Gates Foundation Curator of Painting & Sculpture, Denver Art Museum; Robin Simon, Editor, The British Art Journal; Katharine Eustace, Editor, Sculpture Journal; Rosemary Hill, Fellow, All Souls’ College, Oxford; Desmond Shawe-Taylor, Surveyor of The Queen’s Pictures; Angus Trumble, Senior Curator of Paintings and Sculpture, Yale Center for British Art</span></span></div></b>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1699840317140561303.post-64503637091137166412011-05-27T16:44:00.000+01:002011-05-27T16:44:45.648+01:00Berger Prize 2011<!--StartFragment--> <br />
<div class="MsoNormal" style="text-align: center;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-size: 13px;"><b> <!--StartFragment--> </b></span></span></div><span class="Apple-style-span" style="font-size: small;"><b><div class="MsoNormal" style="text-align: center;"><span lang="EN-US" style="font-size: 10.0pt; mso-ansi-language: EN-US;">Berger Prize 2011 Long List<o:p></o:p></span></div><div class="MsoNormal" style="text-align: center;"><span lang="EN-US" style="font-size: 10.0pt; mso-ansi-language: EN-US;"><span class="Apple-style-span" style="font-weight: normal;">[books published 1 January-31 December 2010]</span></span><span lang="EN-US" style="font-size: 10.0pt; mso-ansi-language: EN-US;"><span class="Apple-style-span" style="font-weight: normal;"><o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: center;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span lang="EN-US" style="font-size: 10.0pt; mso-ansi-language: EN-US;"><span class="Apple-style-span" style="font-weight: normal;">The <b>Short List</b></span></span><span lang="EN-US" style="font-size: 10.0pt; mso-ansi-language: EN-US;"><span class="Apple-style-span" style="font-weight: normal;"> of six will be announced in mid-June 2011 and the Award of the William MB Berger Prize for British Art History (worth £5000 to the winner) will be awarded by A.N. Wilson at a ceremony in London UK on the evening of 5 July 2011.<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span lang="EN-US" style="font-size: 10.0pt; mso-ansi-language: EN-US;">Assessors</span><span lang="EN-US" style="font-size: 10.0pt; mso-ansi-language: EN-US;"><span class="Apple-style-span" style="font-weight: normal;"> Timothy J. Standring, Gates Foundation Curator of Painting & Sculpture, Denver Art Museum; Robin Simon, Editor, The British Art Journal; Katharine Eustace, Editor, Sculpture Journal; Rosemary Hill, Fellow, All Souls’ College, Oxford; Desmond Shawe-Taylor, Surveyor of The Queen’s Pictures; Angus Trumble, Senior Curator of Paintings and Sculpture, Yale Center for British Art<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span lang="EN-US" style="font-size: 10.0pt; mso-ansi-language: EN-US;"><span class="Apple-style-span" style="font-weight: normal;">Adrian Clark, </span><i><span class="Apple-style-span" style="font-weight: normal;">British and Irish Art 1945-1951. From War to Festival</span></i></span><span lang="EN-US" style="font-size: 10.0pt; mso-ansi-language: EN-US;"><span class="Apple-style-span" style="font-weight: normal;"><o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span lang="EN-US" style="font-size: 10.0pt; mso-ansi-language: EN-US;"><span class="Apple-style-span" style="font-weight: normal;">2010 Hogarth Arts/Paul Holberton<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span lang="EN-US" style="font-size: 10.0pt; mso-ansi-language: EN-US;"><span class="Apple-style-span" style="font-weight: normal;">ISBN 978 0 95554063 4 8, £30, pp272, 24 bw</span></span><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;"><o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span lang="EN-US" style="font-size: 10.0pt; mso-ansi-language: EN-US;"><span class="Apple-style-span" style="font-weight: normal;">David Nolan and Carolyn Starren, </span><i><span class="Apple-style-span" style="font-weight: normal;">On Public View – A Journey around the Sculptures in the Royal Borough of Kensington and Chelsea<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">NOTE published online. Please visit <o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><a href="http://www.rbkc.gov.uk/onpublicview"><span class="Apple-style-span" style="font-weight: normal;">www.rbkc.gov.uk/onpublicview</span></a><span class="Apple-style-span" style="font-weight: normal;"><o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Chapters download as pdfs with a video introduction to watch on the site<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Celina Fox, </span><i><span class="Apple-style-span" style="font-weight: normal;">The Arts of Industry In the Age of Enlightenment<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">[2009] 18 February 2010, YUP<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN 978 0 300 16042 0, £50, pp576, 200 bw, 60 col<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Cherry Ann Knott, </span><i><span class="Apple-style-span" style="font-weight: normal;">George Vernon 1636-1702 ‘Who built this House’. Sudbury Hall Derbyshire<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">1 June 2010 Tun House Publishing<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN 978 0 9565240 0 3, £75 (signed limited edition of 500), pp782, illus bw & col<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Katharine Baetjer, </span><i><span class="Apple-style-span" style="font-weight: normal;">British Paintings in the Metropolitan Museum of Art, 1575-1875<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">30 March 2010 Metropolitan Museum/YUP<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN 978 1 58839 348 7 (Met Mus)<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN 978 0 300 15509 9 (YUP)<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">£55, pp308, 215 bw, 140 col<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Kevin Sharpe, </span><i><span class="Apple-style-span" style="font-weight: normal;">Image Wars: Promoting Kings & Commonwealth in England<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">4 May 2010 YUP<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN 9780300162004, £35, pp512, 90 bw<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">John Ingamells, </span><i><span class="Apple-style-span" style="font-weight: normal;">National Portrait Gallery. Later Stuart Portraits 1685-1714<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">8 February 2010 National Portrait Gallery<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN </span></span><span lang="EN-US" style="font-size: 10.0pt; mso-ansi-language: EN-US;"><span class="Apple-style-span" style="font-weight: normal;">978-185514 410 1, </span></span><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">£125, pp460, 358 bw, 305 col<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">John McAleer, </span><i><span class="Apple-style-span" style="font-weight: normal;">Representing Africa. Landscape, exploration and empire in southern Africa, 1780-1870<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">1 March 2010 Manchester University Press<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN 978 0 7190 8104 0, £60pp, 241, 16 bw, 9 col<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Cassandra Albinson, Peter Funnell & Lucy Peltz, eds, </span><i><span class="Apple-style-span" style="font-weight: normal;">Thomas Lawrence: Regency Power and Brilliance<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Exh cat. 21 October 10 YUP<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN 978 0 300 16718 4, £40, pp280, 20 bw, 160 col<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Cecilia Powell & Stephen Hebron, </span><i><span class="Apple-style-span" style="font-weight: normal;">Savage Grandeur & Noblest Thoughts. Discovering the Lake District 1750-1820<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Exh cat. 2010 Wordsworth Trust<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN </span></span><span lang="EN-US" style="color: #1a1a1a; font-size: 10.0pt; mso-ansi-language: EN-US;"><span class="Apple-style-span" style="font-weight: normal;">978 1 905256 42 6</span></span><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">, £19.95, many illus in colour<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Mary Bryan H Curd, </span><i><span class="Apple-style-span" style="font-weight: normal;">Flemish & Dutch Artists in Early Modern England. Collaboration and Competition, 1460-1680<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">1 May 2010 Ashgate Publishing<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;"> ISBN 9780754667124, £65, pp236, ills bw<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Barbara Bryant, </span><i><span class="Apple-style-span" style="font-weight: normal;">GF Watts In Kensington. Little Holland House and Gallery<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">[2009] March 2010 Watts Gallery<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN 9780956102232, £10, pp92, 81 bw<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Mireille Galinou, </span><i><span class="Apple-style-span" style="font-weight: normal;">Cottages & Villas: The Birth of the Garden Suburb<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">19 October 2010 YUP<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN 978 0 300 16726 9, £40, pp480, 55 bw, col 250<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Christiana Payne, </span><i><span class="Apple-style-span" style="font-weight: normal;">John Brett, Pre-Raphaelite Landscape Painter<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">14 May 2010 YUP<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN 9780300165753, £40, pp256, 150 bw, 120 col<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Charlotte Yeldham, </span><i><span class="Apple-style-span" style="font-weight: normal;">Maria Spilsbury (1776-1820), Artist and Evangelical<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">1 February 2010 Ashgate<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN 978 0 7546 6991 3, £65, pp230, 73 bw, <o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Mark Bills, </span><i><span class="Apple-style-span" style="font-weight: normal;">Watts Chapel: A Gude to the Symbols of Mary Watts’s Art and Crafts Masterpiece<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">1 July 2010 Philip Wilson<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN 978 0 85667 692 5, £18.99, pp80, 187 bw/col<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Bernd W Krysmanski, </span><i><span class="Apple-style-span" style="font-weight: normal;">Hogarth’s Hidden Parts<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Georg Holms Verlag, Hildesheim<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN 978-3-487-14471-9, Euros 48, pp514, 304 bw<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Elisabeth Soulier Detis, </span><i><span class="Apple-style-span" style="font-weight: normal;">Guess at the Rest. Cracking the Hogarth Code<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">27 May 2010 James Clarke & Co Ltd<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN 139780718892159, £35, 183 bw, pp233<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Douglas Fordham, </span><i><span class="Apple-style-span" style="font-weight: normal;">British Art and the Seven Years’ War. Allegiance and Autonomy<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">2010 University of Pennysylvannia Press<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN 9780812242430, £42.50, pp334, 87 bw<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Tim Barringer, </span><i><span class="Apple-style-span" style="font-weight: normal;">Before and After Modernism, Byam Shaw, Rex Vicat Cole, Yinka Shonibare, MBE<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Exh cat. November 2010 Central St Martin’s <o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN 978 0 946282 00 5, £15pp,132, 151 bw/col<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Jason Kelly, </span><i><span class="Apple-style-span" style="font-weight: normal;">The Society of Dilettanti: Archaeology and Identity in the British Enlightenment<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">[2009] 28 January 2010 YUP<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN 978 0 300 15219 7, £40, pp366, 100 bw, 20 col<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Julian Mitchell, </span><i><span class="Apple-style-span" style="font-weight: normal;">The Wye Tour and its Artists<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Exh cat. 2010 Logaston Press<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN 978 1906663 32 2, £12.95, pp168, illus bw & col<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Max Browne, </span><i><span class="Apple-style-span" style="font-weight: normal;">Theodor von Holst. His art and the Pre-Raphaelites<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Exh cat. 2010 Holst Birthplace Museum, Cheltenham<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN 13 978 0 9563769 0 9, pp64, illus colour & bw<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Leonée Ormond, </span><i><span class="Apple-style-span" style="font-weight: normal;">Linley Sambourne: Illustrator and Punch Cartoonist<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">2010 Paul Holberton<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN 978-1907372032, £30, pp312, 120 bw<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Jennifer Scott, </span><i><span class="Apple-style-span" style="font-weight: normal;">The Royal Portrait. Image and Impact<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">2010 Royal Collection Enterprises<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN 978 1 905686 13 1, £19.95, pp200, 157 col<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Philip Brookman, </span><i><span class="Apple-style-span" style="font-weight: normal;">Eadweard Muybridge<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Exh cat. 2010 Tate Publishing<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;"> ISBN 9781854378378, £29.99, illus bw & col<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Charlotte Gere & Judy Rudoe, </span><i><span class="Apple-style-span" style="font-weight: normal;">British Museum – Jewellery in the Age of Queen Victoria<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">1 April 2010 British Museum Press<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN </span></span><span lang="EN-US" style="font-size: 10.0pt; mso-ansi-language: EN-US;"><span class="Apple-style-span" style="font-weight: normal;">978-0714128191</span></span><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">, £50, pp552, 100 bw, 400 col<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">David Fraser Jenkins<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><i><span class="Apple-style-span" style="font-weight: normal;">Paul Nash. The Elements<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Exh cat. February 2010 Dulwich Picture Gallery (Scala)<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN 978 1 85759 619 9 £25, illus in colour<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Jessica Feather, </span><i><span class="Apple-style-span" style="font-weight: normal;">British Watercolour & Drawings. Lord Leverhulme’s Collection in the Lady Lever Art Gallery<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">1 October 2010 Liverpool University Press<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN 978-1846311550 £35, pp400, 370 bw/col<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Mary Bennett, </span><i><span class="Apple-style-span" style="font-weight: normal;">Ford Madox Brown: A Catalogue Raisonné<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">10 September 10 YUP<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN 978-0300165913, £125, 2 vols, pp686, 522 bw, 458 col<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Ilaria Bignamini and Clare Hornsby, </span><i><span class="Apple-style-span" style="font-weight: normal;">Digging and Dealing in Eighteenth-century Rome<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">25 February 2010 YUP<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN </span></span><span lang="EN-US" style="font-size: 10.0pt; mso-ansi-language: EN-US;"><span class="Apple-style-span" style="font-weight: normal;">978-0300160437</span></span><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">, £45, 2 vols, pp630, 200 bw, 50 col<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Robert Hewison, </span><i><span class="Apple-style-span" style="font-weight: normal;">Ruskin on Venice<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">14 January 2010 YUP<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN 978-0300121780, £45, pp500, 105 bw, 25 col<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Malcolm Jones, </span><i><span class="Apple-style-span" style="font-weight: normal;">The Print in Early Modern England: An Historical Oversight<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">8 June 2010 YUP for the Paul Mellon Centre for Studies in British Art<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN 978 0300136975, £45, pp352, 270 bw, 20 col<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Richard Ormond & Elain Kilmurray, </span><i><span class="Apple-style-span" style="font-weight: normal;">John Singer Sargent: Figures & Landscapes 1883-1899<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><i><span class="Apple-style-span" style="font-weight: normal;">The Complete Paintings Vol 5<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">7 September 2010 YUP<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN 978-0300161113, £50, pp392, B&W 127 bw, 311 col<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Grace Brockington, </span><i><span class="Apple-style-span" style="font-weight: normal;">Above the Battlefield: Modernism and the Peace Movement in Britain<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">1 October 2010 YUP<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;"> ISBN 9780300151954, £35, pp244, 100 bw, 40 col<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Morna O’Neill, </span><i><span class="Apple-style-span" style="font-weight: normal;">Walter Crane: The Arts & Crafts, Paintings & Politics 1875-1890<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">30 November 2010 YUP<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;"> ISBN 978-0300167689, £35, pp320, 100 bw, 20 col<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Tara Hamling, </span><i><span class="Apple-style-span" style="font-weight: normal;">Decorating the Godly Household. Religious Art in Post-Reformation Britain<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">25 November 2010 YUP for the Paul Mellon Center for Studies in British Art<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN 978-0300162820, £45, pp256, 80 bw, 40 col<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><br />
</div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">Anthony Vidler, </span><i><span class="Apple-style-span" style="font-weight: normal;">James Frazer Stirling: Notes from the Archive<o:p></o:p></span></i></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">15 October 2010 YUP<o:p></o:p></span></span></div><div class="MsoNormal" style="text-align: left;"><span style="font-size: 10.0pt;"><span class="Apple-style-span" style="font-weight: normal;">ISBN 978-0300167238, £35, pp300, 330 col</span><o:p></o:p></span></div><!--EndFragment--> </b></span><br />
<!--EndFragment-->Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1699840317140561303.post-41005010895255213362010-12-10T17:48:00.003+00:002010-12-10T17:49:46.955+00:00Find that missing portrait!<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">Colin Cohen was frustrated that so many portraits of his family have gone walkabout. He knows they are out there, but where? And so he has created a site to hunt down 'orphaned' portraits:</span><br />
<a href="http://www.missingportraits.info/"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">http://www.missingportraits.info/</span></a><br />
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">Colin introduces his website:</span><br />
<div style="font: 12.0px Georgia; margin: 0.0px 0.0px 0.0px 0.0px;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">'MissingPortraits.info is a site devoted to so-called ‘orphan’ portraits. Starting with my own family, of whom a surprising number </span></span><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">of portraits have been painted which then vanished from sight, my aim is to open the site to all who have lost touch with, or </span></span><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">found, portraits.'</span></span></div><div style="font: 12.0px Georgia; margin: 0.0px 0.0px 0.0px 0.0px;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br />
</span></span><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"> </span></div><div style="font: 12.0px Georgia; margin: 0.0px 0.0px 0.0px 0.0px;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">Portraiture is peculiar. At the time a portrait is made, the most important thing, at least to sitter, family and friends, is how good a likeness it is. In no time at all, however, Colonel Blimp of the Bluffshires has been demoted to the ranks of 'A gentleman in a red coat'. Then it is all a matter merely of how good the painting is, even supposing that the name of the artist had been retained. And so let's hope that Colin's initiative will develop, with contributions and links, so that hidden knowledge can be shared, names returned to gentlemen in red coats, and artists reunited with their sitters.</span></span></div><div style="font: 12.0px Georgia; margin: 0.0px 0.0px 0.0px 0.0px;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br />
</span> </span><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"> </span></div><div style="font: 12.0px Georgia; margin: 0.0px 0.0px 0.0px 0.0px;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">Talking of which…</span></span></div><div style="font: 12.0px Georgia; margin: 0.0px 0.0px 0.0px 0.0px;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">A major Hogarth discovery will feature in the next </span></span><i><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">British Art Journal</span></span></i><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">, in Gwen Yarker's introduction to her exhibition 'Georgian Faces: portrait of a County' at the Dorset County Museum, Dorchester, 15 January-30 April 2011</span></span></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1699840317140561303.post-61049080524591716592010-09-20T16:44:00.005+01:002010-09-21T16:38:05.721+01:00Patrick Heron? Which Patrick Heron?The Patrick Heron written about by Adrian Clark in his new book (<a href="http://www.paul-holberton.net/british-and-irish-art-1945-1951-from-war-to-festival,product,view,153,14,,.html">British and Irish Art 1945-1951: From War to Festival</a>, Hogarth Arts, 2010) was the highly regarded British artist who lived 1920-99. He looked like this, in a 1954 photograph by Ida Kar in possession of his daughters Katharine and Susanna Heron.<br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://4.bp.blogspot.com/_zkPyAwnAgQ4/TJd_-IF2GcI/AAAAAAAAAHE/kK9QeBC7D28/s1600/PAtrick+Heron+by+Ida+Kar,+1954.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/_zkPyAwnAgQ4/TJd_-IF2GcI/AAAAAAAAAHE/kK9QeBC7D28/s320/PAtrick+Heron+by+Ida+Kar,+1954.jpg" /></a></div><br />
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Patrick Heron was also a very well-known critic who wrote regularly for such journals as the <i>New Statesman</i>.<br />
It turns out there is another Patrick Heron, also a writer, but never an artist. Unfortunately, his photograph crept into Clark's book (page 117) in place of the painter's. This Patrick Heron writes about the imminent ending of the world and the return of the Antichrist. Hey! it's not that bad, Patrick, just a mistake with a photograph…Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1699840317140561303.post-54818819804317217212010-07-08T19:30:00.002+01:002010-07-08T19:38:28.314+01:00The William MB Berger Prize for British Art History 2009<span lang="EN-US" style="color: #333333;"><b><span class="Apple-style-span" style="font-family: inherit;">The William MB Berger Prize for British Art History 2009</span></b></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"> of £5000 was awarded to </span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;">Diana Donald and Jane Munro for </span><i><span class="Apple-style-span" style="font-family: inherit;">Endless Forms: Charles Darwin, Natural Science and the Visual Arts</span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"> at a reception at the Paul Mellon Centre for Studies in British Art in London on Wednesday 7 July 2010, and was presented by The Hon Lady Roberts, Royal Librarian.</span></span><br />
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;"><span lang="EN-US" style="color: #333333; font-size: 16pt;"><span class="Apple-style-span" style="font-family: inherit;"><br />
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<span lang="EN-US" style="color: #333333; font-size: 16pt;"><span class="Apple-style-span" style="font-family: inherit;"> </span></span><br />
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<span lang="EN-US" style="color: #333333; font-size: 16pt;"><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><b><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">SHORT LIST</span></span></b></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Mark Girouard </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Elizabethan Architecture</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Yale University Press for the Paul Mellon Centre for Studies in British Art</span></span><span style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 9780300093865 £50 pp 280 150 col<o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Paul O’Keeffe </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">A Genius for Failure. The Life of Benjamin Robert Haydon</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Bodley Head<o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN number 9780224062473 £25 568 pp 13 col 20 bw<o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Patrick Noon </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Richard Parkes Bonington: The Complete Paintings</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Yale University Press for the Paul Mellon Centre for Studies in British Art</span></span><span style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 9780300134216 £85 450 illustrations 360 pp<o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Diana Donald and Jane Munro, ed, </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Endless Forms: Charles Darwin, Natural Science and the Visual Arts</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Fitzwilliam Museum, Cambridge/Yale Center for British Art in association with Yale University Press<o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 9780300148268 £40 288 pp 100 bw 150 col<o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">David Solkin </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Turner and the Masters</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Tate Publishing<o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">hb ISBN 978 1 85437 865 1 £35 pb ISBN 978 1 85437 798 2 £25 240 pp 170 col<o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Edward Impey, ed., </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">The White Tower</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Yale University Press in association with Historic Royal Palaces<o:p></o:p></span></span></span></div></span><span lang="EN-US" style="color: #333333;"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 9780300112931 £45 256 pp 120 bw 40 col</span></span></span><span class="Apple-style-span" style="font-size: small;"> </span></span><br />
<span lang="EN-US" style="color: #333333;"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><br />
</span> </span></span></span><br />
<span lang="EN-US" style="color: #333333;"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><b><span class="Apple-style-span" style="font-size: small;">Assessors</span></b></span></span></span><br />
<span lang="EN-US" style="color: #333333;"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Dr Timothy Standring, Denver Art Museum; Dr Robin Simon, Editor, </span><i><span class="Apple-style-span" style="font-size: small;">The British Art Journal</span></i><span class="Apple-style-span" style="font-size: small;">; Dr Ann Bermingham, University of California at Santa Barbara; Katharine Eustace, Editor, </span><i><span class="Apple-style-span" style="font-size: small;">The Sculpture Journal</span></i><span class="Apple-style-span" style="font-size: small;">; Rosemary Hill, All Souls College, Oxford; Desmond Shawe-Taylor, Survey of The Queen's Pictures; Angus Trumble, Yale Center for British Art</span></span></span></span><br />
<span lang="EN-US" style="color: #333333;"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><br />
</span> </span></span></span><br />
<span lang="EN-US" style="color: #333333;"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"> </span></span></span></span><br />
<span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: inherit;"></span></span></span><br />
<span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><b><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">LONG LIST</span></span></b></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Mikael Ahlund, ed, including an essay by Martin Barnes, </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">The Pre-Raphaelites</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Nationalmuseum Stockholm</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 978917100 809 1</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Sam Smiles Richard Stephens, et al. </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Sir Joshua Reynolds: The Acquisition of Genius</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Sansom & Co. with The University of Plymouth and Plymouth City Museum and Art Gallery, 2009</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 9781906593407 £24.99 200 pp 43 bw 105 col</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Roger Baynton-Williams </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Art of the Printmaker 1500-1860</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">A&C Black</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 9781408112663 £30 192 pp 140 illus</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Cinzia Maria Sicca, ed, </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">John Talman: An Early Eighteenth Century Connoisseur</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">YaleUniversity Press/Yale Center for British Art/The Paul Mellon Centre for Studies in British Art (Studies in British Art 19)</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 9780300123357 £45 304 pp 108 col</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">David Boyd Haycok </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">A Crisis of Brilliance. Five Young British Artists and the Great War</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Old Street Publishing</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 978-1905847846 £20 320 pp ill</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">John Ingamells, </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Dulwich Picture Gallery – British Catalogue</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Unicorn Press</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">9781906509019 £24.95 287 pp ill</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Katharine Lochnan and Carol Jacobi, ed, </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Holman Hunt and The Pre-Raphaelite Vision</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Art Gallery of Ontario in association with Manchester Art Gallery</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 978 0 300 14832 9</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">James Knox, </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Cartoons & Coronets. The Genius of Osbert Lancaster</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 9780711229389 £15 pb 224 pp over 200 col</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Stephen Lloyd and Kim Sloan </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">The Intimate Portrait. Drawings, Miniatures and Pastels from Ramsay to Lawrence</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">National Galleries of Scotland</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN number 978 1 906270 14 8 £25 272 pp 225 col</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Peter Trippi, Elizabeth Prettejohn, Robert Usptone, Patty Wageman, </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">J.W. Waterhouse, The Modern Pre-Raphaelite</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Royal Academy of Arts London</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 978 1 905711 36 9 (hb) 978-90-8586-489-9 (pb) hb £35 pb £18.95 242 pp 180 ills</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Susan E James, </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">The Feminine Dynamic in English Art 1485-1603. Women as Consumers, Patrons and Painters</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Ashgate</span></span><span style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></span></div><div class="MsoNormal"><span lang="EN-US"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 978-0-7546-6381-2 £65 pp 376 ills 52 bw January 2009</span></span><span style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Magdalen Evans </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Utmost Fidelity: The Painting Lives of Marianne and Adrian Stokes</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Sansom & Co</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">hb ISBN 978-1-904537-01-8 pb ISBN 978-1-904537-85-4 hb £35 pb £24.95 pp 72 bw 17 col 98</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Iain Mackintosh and Marcus Risdell </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">The Face & Figure of Shakespeare</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN number ISBN 1 902643 10 0 £7 64 pp 67 col</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Rachel Stewart</span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"> The Town House in Georgian London</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Yale University Press for the Paul Mellon Centre for Studies in British Art</span></span><span style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 9780300152777 £30 pp 272 ill</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Sarah Cash and Richard Ormond </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Sargent and the Sea</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Yale University Press/Yale Center for British Art</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 9780300143607 £30 pp 192 30 bw 100 col</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Mark Laird and Alicia Weisberg-Roberts</span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"> Mrs Delany and Her Circle</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Yale University Press/Yale Center for British Art</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 9780300142792 £40 10 pp 416 ills 10 bw 300 col</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Michael Snodin </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Horace Walpole’s Strawberry Hill</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Yale University Press/Yale Center for British Art</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 9780300125740 £40 356 pp 300 col</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Caroline Arscott, </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">William Morris and Edward Burne Jones: Interlacings</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Yale University Press for the Paul Mellon Centre for Studies in British Art<o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 978-0300140934 £40 260 pp</span></span><span style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Diana Donald and Jane Munro, ed, </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Endless Forms: Charles Darwin, Natural Science and the Visual Arts</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Fitzwilliam Museum, Cambridge/Yale Center for British Art in association with Yale University Press</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 9780300148268 £40 288 pp 100 bw 150 col</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Richard Ormond and Elaine Kilmurray John Singer Sargent</span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"> Venetian Figures and Landscapes, 1898-1913</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">[vol 6 in catalogue raisonné]</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Yale University Press for the Paul Mellon Centre for Studies in British Art</span></span><span style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 9780300141405 £50 18 bw 256 col 272 pp</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Shena Mason </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Matthew Boulton. Selling What All the World Desires</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Yale University Press 9780300143584 £40 304 pp 50 bw 300 col</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Mark Girouard </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Elizabethan Architecture</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Yale University Press for the Paul Mellon Centre for Studies in British Art</span></span><span style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 9780300093865 £50 pp 280 150 col</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Edward Impey, ed., </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">The White Tower</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Yale University Press in association with Historic Royal Palaces</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 9780300112931 £45 256 pp 120 bw 40 col</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Anthony Gerbino and Stephen Johnston </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Compass and Rule: Architecture as Mathematical Practice in England 1500-1750</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Yale University Press/Yale Center for British Art ISBN 9780300150933 £30 192pp 120 col</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Scott Wilcox </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Sun, Wind and Rain: The Art of David Cox</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Yale University Press/Yale Center for British Art in association with Birmingham Museums & Art Gallery ISBN 9780300117448 £40 272 pp 220 col</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Susan Bennett, ed, Cultivating the Human Faculties James Barry (1741-1806) and the Society of Arts<o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Lehigh University Press 162 pp HB<o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Tessa Murdoch</span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"> The French Hospital in England: Its Huguenot History and Collections</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Adamson<o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 978-0-09524322-7-2 £30 pp 128 42 col 8 bw<o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Brian Keeble </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Cecil Collins</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Golgonooza Press</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Christopher Newall et al, Frederic, Lord Leighton</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Prestel</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN: 978 3 7913 43839 £25 192 pp 130 col</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Christopher Baker, David Howarth and Paul Stirton </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">The Discovery of Spain: British arttists and Collectors Goya to Picasso</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">National Galleries of Scotland</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN number 978 1 906270 18 6 £14.95 160 pp 135 col 5 bw</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Silvano Levy and Tanja Pirsig Marshall, ed </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">British Surrealism in Context, A Collector’s Eye</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Leeds Museums & Galleries</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 9780901981820 £34.99 pp 224 227 ills 9</span></span></span><span lang="EN-US" style="color: #333333;"><sup><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"> </span></span></sup></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">July 2009</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Peter Lord, </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">The Meaning of Pictures</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">.</span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"> Images of personal, social and political identity</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">University of Wales Press</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 978-0708322215 £40 256 pp illus</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Veronica Franklin Gould </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Tennyson at Farringford</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Tennyson House Publications ISBN 978 0 9563223 0 2 £15.50 96 pp; ills 69</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Patrick Noon </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Richard Parkes Bonington: The Complete Paintings</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Yale University Press for the Paul Mellon Centre for Studies in British Art</span></span><span style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 9780300134216 £85 450 illustrations 360 pp</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Mark Bills and Barbara Bryant </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">G.F. Watts: Victorian Visionary</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Yale University Press ISBN 9780300142570 £40 224 pp 220 col</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Helen Pierce </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Unseemly Pictures. Graphic Satire and Politics in Early Modern England</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Yale University Press for the Paul Mellon Centre for Studies in British Art</span></span><span style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 9780300142549 £35 224 pp 100 bw</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">David Hill </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Turner and Leeds</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Jeremy Mills Publishing</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 9781906600310 £34.99 208 pp 145 ill</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Judith A. Neiswander </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">The Cosmopolitan Interior. Liberalism and the British Home, 1870-1914</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Yale University Press for the Paul Mellon Centre for Studies in British Art</span></span><span style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 9780300124903 £35 256 pp 70 bw</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Paul O’Keeffe </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">A Genius for Failure. The Life of Benjamin Robert Haydon</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Bodley Head ISBN number 9780224062473 £25 568 pp 13 col 20 bw</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">The Duchess of Rutland with Jane Pruden </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Belvoir Castle</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Frances Lincoln</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 9780711230521 £30 224 pp 200 col</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Karen Hearn, ed, </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Van Dyck and Britain</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Tate Publishing ISBN 978-1854377951 £40 240 pp ill</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Malcolm Millais </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Exploding the Myths of Modern Architecture</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Frances Lincoln</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 9780711229747 £18.99 296 pp 405 bw</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Emma Rutherford </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Silhouette</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Rizzoli 9780847830770 £40.00 256 pp 300 ills</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">David Solkin </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Turner and the Masters</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Tate Publishing</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">hb ISBN 978 1 85437 865 1 £35 pb ISBN 978 1 85437 798 2 £25 240 pp 170 col</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">William Feaver </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Frank Auerbach</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Rizzoli</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 9780847830589 £100 360 pp 900 col 200 bw</span></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-size: small;"><br />
</span></div><div class="MsoNormal"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Christopher Frayling </span></span></span><span lang="EN-US" style="color: #333333;"><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">Horace Walpole’s Cat</span></span></i></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div></span></span><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span lang="EN-US" style="color: #333333;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: small;">ISBN 9780500514917 14.95 80pp 15 col 7 bw</span></span></span> </span></span></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1699840317140561303.post-54432738675836191302010-05-02T15:23:00.000+01:002010-05-02T15:23:25.051+01:00The British Art Journal Ten Glorious Years<b><br />
</b><br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://4.bp.blogspot.com/_zkPyAwnAgQ4/S92Ks1aV7nI/AAAAAAAAAFQ/WmbuWIwy-cw/s1600/BAJ+X+3COVER+whole.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/_zkPyAwnAgQ4/S92Ks1aV7nI/AAAAAAAAAFQ/WmbuWIwy-cw/s320/BAJ+X+3COVER+whole.jpg" /></a></div><b><br />
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<b>Ten years of </b><i><b>The British Art Journal</b></i><br />
[Editorial]<br />
This special double issue of <i>The British Art Journal</i> [Vol. X, NO. 3, Winter 2009/2010] celebrates ten years of the journal’s existence. Our first numbers were supported by a few private individuals but also by advertisers, most of whom have remained with us ever since. One of those with us from the start is the Mark Weiss Gallery, which itself celebrates twenty-five years in 2010. The intriguing and in some ways still mysterious portrtait on the cover has been researched in depth by the Weiss Gallery, the fruits of which have been published in a book (available from the gallery) with contributions from art historians (including Sir Roy Strong, Michael Wilson, Jeremy Wood, Duncan Thomson and Tim Wilks) but also music historians (including Benjamin Hebbert) and the conservators who restored it. The painting was the subject of an absorbing one-day seminar at the gallery on 25 February 2010. It is an appropriate image for our cover because it exemplifies the theme of this special issue, which is British art in an international context. The artist was probably Flemish; the sitter was of French Huguenot stock, active in the court of the Scottish Stuart on the throne of England; the small oval painting on the back wall is signed (and dated 1613) by its own painter, Hendrick van Steenwyck the Younger (c1580-1649), either Dutch or, more probably, Flemish, who was resident in London from 1617. On the table beside the sitter is a statuette of Antinous and a piece of paper bearing a Latin epigram which contrives to include the notes of the six-note scale (precursor of ‘do, re, mi’) devised or discovered by Guido of Arezzo in the eleventh century: ‘VT RElevet MIserum FAtum SOLitosque LAbores.’<br />
All in all, the painting is a fine international puzzle, and it provided ample material for a remarkably fruitful and amiable discussion among experts assembled from Britain and abroad, from museums, academe, the dealing world, and the musical word (both academic and performing). The seminar is also significant because it draws attention to the ways in which scholarship and the commercial art world, far from being mutually incompatible, can benefit from co-operation. Many suspect, indeed, that the possession of expertise in the examination of paintings is no longer the norm in the academic world. Rather, it is to be found within museums (in some, alas, to a decreasing extent) and with dealers. It would be a great thing if this remarkable seminar was the precursor of many more such collaborations, always provided, of course, that they are conducted in the same refreshing spirit of mutual respect and enjoyment as this was. An exquisite recital of Lanier’s music was shrewdly scheduled to occupy the period immediately following – another international note – an outstanding lunch of Italian food and French wine.<br />
<b><br />
</b><br />
<b>The William MB Berger Prize for British Art History</b><br />
New arrangements for the 2009 award are in place in order to simplify the procedure. The qualifying period has been changed. Books for the 2009 award would have been considered if published in the period 1 September 2008-31 August 2009. Books will now be considered if published during the period 1 September 2008-31 December 2009, for this occasion only. In future, however, the qualifiying period will be the calendar year 1 January-31 December, the first time that applies being 2010.<br />
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For much of its existence the BAJ has also been aided by the support of the Berger Collection Educational Trust, of Denver, which together with the BAJ instituted the Berger Prize. This special issue, with its international theme, has also been supported by a grant from the Paul Mellon Centre for Studies in British Art, for which we are grateful. And finally, we offer out heartfelt thanks to our subscribers and readers all over the world, without whom…Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1699840317140561303.post-78172678300879335642010-01-08T15:54:00.001+00:002010-01-08T15:55:48.638+00:00How former Director Charles Saumarez Smith left the National Gallery, London, with something to remember<b>R</b><b>obin Simon's review</b> in the current <i>BAJ</i> of Charles Saumarez Smith's short history of the National Gallery, which is interesting not least for what it does not make explicit: the uncomfortable circumstances of Smith's own relationship with his chairman of trustees. Nor does he mention how the National Gallery attempted to prevent his publishing the book…<br />
<br />
<i>The National Gallery: A Short History</i><br />
by Charles Saumarez Smith<br />
Frances Lincoln 2009 £14.99 isbn 978 0711230439<br />
<br />
Revenge may be a dish best eaten cold, but the dust had hardly settled on Charles Saumarez Smith’s controversial departure from the directorship of the National Gallery than this elegant Parthian shot appeared. The National Gallery did its best to prevent the book’s appearance, fortunately without success, and readers will delight in the suavity and poise of this beautifully judged account. Dr Smith fingers the often poisonous trustees who have interfered with the running of the institution throughout its history. The snobbery and obstructiveness of Alfred de Rothschild especially (Manet’s paintings were ‘unnecessary rubbish’) prevented Charles Holroyd from a perceptive and inspired attempt at buying modern French paintings as early as 1906. The episode and many others offer a nightmare insight into the ways in which trustees could make a director’s job impossible. This is a situation that Dr Smith understands at first-hand, in his case, through having to put up with his chairman, someone called Peter Scott. Not that you will find Dr Smith saying such things: the reader is left to infer as much from the author’s ingenious prose. Dr Smith does not spare the shortcomings of some of his predecessors, although these, such as they were, were usually failings of timidity or dullness. Given the slightly unpleasant side, inevitably so, to much of the story, the history is perhaps mercifully brief, but it is none the less both authoritative and, best of all, delightful to read.<br />
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</div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1699840317140561303.post-55978439460370684462009-12-14T14:39:00.011+00:002010-08-02T21:19:40.214+01:00Bonnie Prince… Henry?<a href="http://2.bp.blogspot.com/_zkPyAwnAgQ4/SyZPyVuo_PI/AAAAAAAAAEg/z7mzEOQq8Zw/s1600-h/1+La+Tour+York+lg.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5415103328204422386" src="http://2.bp.blogspot.com/_zkPyAwnAgQ4/SyZPyVuo_PI/AAAAAAAAAEg/z7mzEOQq8Zw/s320/1+La+Tour+York+lg.jpg" style="float: right; height: 320px; margin-bottom: 10px; margin-left: 10px; margin-right: 0px; margin-top: 0px; width: 256px;" /></a><br />
Bonnie Prince… Henry?<br />
Treasured Scottish portrait is definitely not of Bonnie Prince Charlie, expert on Jacobite portraiture decides in the new issue of <i>The British Art Journal</i>. Read the report in the <a href="http://news.scotsman.com/news/Gallery-admits---portrait.5910975.jp">Scotsman</a><br />
Now the Scottish National Portrait Gallery agrees: see the <a href="http://news.bbc.co.uk/1/hi/scotland/edinburgh_and_east/8413648.stm">BBC website</a>. More reports in <a href="http://www.telegraph.co.uk/culture/art/art-news/6817863/Gallery-admits-portrait-is-not-Bonnie-Prince-Charlie.html">Daily Telegraph</a>, <a href="http://www.independent.co.uk/arts-entertainment/art/news/bonnie-prince-charlie-portrait-that-of-younger-brother-1841610.html">Independent</a>, <br />
<div><a href="http://www.dailymail.co.uk/news/article-1236136/Scottish-National-Portrait-Gallery-admits-key-portrait-Bonnie-Prince-Charlie-actually-brother.html">Daily Mai</a>l, and watch on <a href="http://video.stv.tv/?bcpid=37654293001&bctid=57437951001">STV </a><br />
<br />
</div><div><br />
</div><div>Last year (2008) the Scottish National Portrait Gallery’s best-known and treasured portrait of Bonnie Prince Charlie was claimed instead to be a portrait of his younger brother, Henry Stuart, Duke of York, who later became a Cardinal and wished to be known as ‘King Henry IX’ of Britain.<br />
<br />
The pastel by Maurice Quentin de La Tour was acquired by the Gallery in 1994 for £22,000 and has been celebrated as such ever since. But then in 2008 Bendor Grosvenor, a director of the London portrait dealers Philip Mould Ltd, made his startling claim in <i>The British Art Journa</i>l that the portrait does not show Charles but rather his brother, Henry Stuart, when he was Duke of York and before he was made a Cardinal.<br />
<br />
At the time, the Scottish National Portrait Gallery dismissed the claim, partly because the expert on Jacobite portraiture, Dr Edward Corp of the University of Toulouse, France, had published the portrait as an authentic image of Bonnie Prince Charlie, in the standard work on the subject, <i>The King over the Water: Portraits of the Stuarts in Exile after 1689</i>, published by the National Galleries of Scotland in 2001.<br />
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Now Dr Corp has reversed his opinion in an article in <i>The British Art Journal</i> (Vol X, No. 3). The portrait is definitely not of Bonnie Prince Charlie, he has concluded, but indeed of Cardinal Henry Stuart.<br />
‘Whether the portrait does or does not show Prince Charles really does matter,’ says Dr Corp.<br />
‘It is not merely the catalogue of the Scottish National Portrait Gallery which needs to be corrected. The impression which an entire nation has derived of this important historical figure should also be changed. Before its acquisition by the Scottish National Portrait Gallery in 1994, the most widely circulated image of Prince Charles Stuart (or Bonnie Prince Charlie as he is popularly called) was an early portrait painted in 1729, when the prince was only eight years old, which showed him wearing Italian court dress. Since then this pastel by La Tour has replaced it as the “official” portrait of the prince, apparently showing as a mature armour-clad 27-year-old, the victor of Prestonpans, and the hero of the escape from Scotland after the Battle of Culloden. The portrait is now reproduced in all biographies of the prince, and has been selected to illustrate the article about him in the <i>Oxford Dictionary of National Biography</i>.’<br />
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Now Dr Corp agrees with Bendor Grosvenor’s arguments: ‘The weight of evidence – perhaps regrettably – supports Bendor Grosvenor’s argument that the pastel in the Scottish National Portrait Gallery shows Prince Henry rather than Prince Charles.’<br />
<div><br />
Dr Corp has also concluded that there was once a pastel portrait of Bonnie Prince Charlie, by the same artist, Maurice Quentin de La Tour, but that it has been lost, perhaps destroyed during the French Revolution in 1789. Dr Corp believes that the appearance of the lost portrait is recorded in a rare scent<br />
bottle dated 1753 now in the Fitzwilliam Museum, Cambridge (above right).<br />
<br />
The mystery is how the La Tour pastel in the Scottish National Portrait Gallery first became known as a likeness of Bonnie Prince Charlie. One red herring was the fact that the sitter was wearing armour, which was thought to be at odds with Henry’s religious vocation. Furthermore, Charles was known to have sat to La Tour in 1747, upon his return to Paris after the failure of the 1745 Rebellion.<br />
<br />
However, Bendor Grosvenor was able to discover that Henry also sat to La Tour at some point between late 1745 and, crucially, before his creation as a cardinal by his godfather the Pope, Benedict XIV, in June 1747. Therefore, Henry’s depiction in armour was appropriate, for between 1745-6 he was in charge of a naval expedition to assist Charles’ rebellion in Scotland. Moreover, the portrait of Henry was exhibited at the Paris Salon in 1747.<br />
<br />
Dr Grosvenor, responding to the news of Dr Corp’s change of mind, said, ‘I am delighted that Edward Corp agrees with me. The Scottish National Portrait Gallery should now look again at re-identifying the sitter in this important portrait.’</div></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1699840317140561303.post-30966509554893971712009-07-03T17:32:00.003+01:002009-07-03T17:39:21.032+01:00Berger Prize Winner 2008 (awarded 2009)The WINNER of the William MB Berger Prize for British Art History 2008 (books published 1 September 2007-31 August 2008) was announced at a reception hosted by Robin Simon, Editor of <span style="font-style:italic;">The British Art Journal</span>, at the Paul Mellon Centre for Studies in British Art on 2 July 2009. <br /><br />The winner is Thomas P Campbell for<br /><span style="font-style:italic;">Henry VIII and the Art of Majesty. Tapestries at the Tudor Court</span><br />440pp, hb £45, ISBN 9780300122343<br />Yale University Press for the Paul Mellon Centre for Studies in British Art<br /><br />The assessors remarked:<br />‘This was… almost a perfect book containing an incredible amount of research of all kinds, not only archival but on<br />every piece of tapestry. A wonderful and great work of detection and reconstruction, when something like 90% of the<br />material in question had been lost, and yet it still came up with a convincing analysis. The book is of great importance<br />to historians and political scientists as well as to art historians… It has repositioned tapestry where it always<br />belonged, at the centre of courtly patronage. The book ranged across major questions about the reign of Henry VIII<br />and his view of monarchy with immense tact and skill.’<br /><br />The other five titles on the SHORT LIST were as follows:<br /><br />Robert Hoozee, ed<br /><span style="font-style:italic;">British Vision: Observation and Imagination in British Art 1750-1950</span><br />424 pp, hb £39, isbn 978-9061537489 Mercatorfonds / Museum voor Schone Kunsten, Ghent<br />‘For once, here was a catalogue which matched in physical weight its ideas and originality. Robert Hoozee has been<br />thinking about British art for many years, and here are the fruits of his considerable and profound experience.<br />Remarkably, for an exhibition held in Belgium, this exhibition has done as much for British art as any show in<br />Britain over the past decade. Hoozee mined (at times obscure) collections throughout the UK to reveal a unique<br />strand in British art which, as the title of the book states, combines observation and imagination. It ought to become<br />an essential text for anyone wishing to understand British art and visual culture over the past two hundred years.’<br />The assessors wanted to stress the splendour of the very large exhibition, held in Ghent, which featured telling and<br />often startling conjunctions, and ranged right through, convincingly, to the late twentieth century.<br /><br />Nicholas Tromans<br /><span style="font-style:italic;">David Wilkie: The People’s Painter</span><br />320pp, hb £65, ISBN 978-0748625208. Edinburgh University Press<br />‘… A most intelligent and persuasive account of the artist. As the author states, it is a biographical study which<br />aspires to be a social study of the artist’s career. It achieves both aims admirably. The prose is clear, at times amusing,<br />and the book is extremely well written, a good read – a rare thing these days among academic texts. The biography is<br />intriguing and the monographic aspect of the book brought most of Wilkie’s works together for the first time. A major<br />achievement for which both the author and publisher deserve congratulations and gratitude.’<br /><br />Jason Rosenfeld and Alison Smith<br /><span style="font-style:italic;">Millais</span><br />272 pp, hb £35, ISBN 978 185437 746 3. Tate Publishing<br />‘The catalogue, like the exhibition, brings together a remarkable selection of images that poses important questions<br />about British art of the period and the course it took in the hands of such an outstanding painter, who was evidently<br />aware of contemporary European developments but yet trapped within a distinct aesthetic and cultural world.<br />Confronted some basic problems about British art. It absolutely forces people to take Millais far more seriously, even if,<br />finally, the enigma remains. It was an especially rewarding exhibition and the catalogue will endure.’<br /><br />Elizabeth Prettejohn<br /><span style="font-style:italic;">Art for Art’s Sake. Aestheticism in Victorian Painting</span><br />320 pp, hb £35, ISBN 978-0300135497. Yale University Press for the Paul Mellon Centre for<br />Studies in British Art<br />‘… addressed the important question of British modernism by taking the starting point back in time. Ambitious and<br />original, full of sharp insights and fresh material. A really important book that offers a way forward for much further<br />research and reflection, and which also considered the topics in hand in an international context. Informed by<br />German idealism, and the writings of Pater and Swinburne, aestheticism in this account is not the trivial and<br />decadent fashion satirized in Punch, but a revolutionary movement that freed British painting from the relentless<br />march of modern commercialism and industrial notions of progress. The author’s provocative analyses of the work of<br />Solomon, Moore, Burne-Jones and Pater especially are revelatory and change how we view these artists and writers.’<br /><br />David Watkin and Philip Hewat-Jaboor, ed<br /><span style="font-style:italic;">Thomas Hope Regency Designer</span><br />520pp, hb £50, ISBN 978-0300124163. Yale University Press for The Bard Graduate Center for<br />Studies in the Decorative Arts, Design, and Culture<br />‘As close to the definitive work on Hope as we are ever likely to get, and it will remain the standard work. A<br />tremendous amount of research and fresh and intiruging material, amplifying David Watkin’s earlier endeavours on<br />the subject. The book firmly establishes Hope as one of the most influential designers and illuminates every aspect of<br />his wide interests. Wonderful. A seductive publication produced to the highest standards… it is difficult to see how a<br />catalogue on this subject could look much better.’Unknownnoreply@blogger.comtag:blogger.com,1999:blog-1699840317140561303.post-72106769376289504782009-06-25T19:18:00.006+01:002009-06-25T19:29:43.950+01:00Berger Prize for 2008 Long List published 25 June 2009The Long List for the <a href="http://www.bergercollection.org/index.php?id=8">William MB Berger Prize for British Art History</a> 2008 (for books published 1 September 2007-31 August 2008) is below. The Short List of six will be decided at the end of June 2009 and published here and the Prize will be awarded at a ceremony in London on 2 July 2009<br /><br />• William L Pressly, The Artist as Original Genius: Shakespeare’s “Fine Frenzy” in Late Eighteenth-Century British Art, 236pp, hb $80, isbn 978-0874139853,<br />University of Delaware Press 2008<br />• Lena Cowen Orlin, Locating Privacy in Tudor London, 368 pp, hb £61, isbn 978-0-19-922625-2,<br />Oxford University Press <br />• Tatiana C String, Art and Communication in the Reign of Henry VIII, 170pp hb £50, isbn 0754663051, Ashgate<br />• Ron Broglio, Technologies of the Picturesque. British Art, Poetry, and Instruments, 1750-1830, 236pp, hb $50, isbn 978-0838757000, Bucknell University Press <br />• Marian Kamlish, George Morland, A London artist in 18th-century Camden, 136pp, pb £11.95, isbn 978 0904491 74 6, Camden History Society<br />• Nicholas Tromans, David Wilkie: The People’s Painter, 320pp, hb £65, isbn 978-0748625208,<br />Edinburgh University Press<br />• Michael JK Walsh, Hanging a Rebel: The Life of CRW Nevinson, 352pp, pb £25, isbn 9780718830908,<br />The Lutterworth Press<br />• Robert Tittler, The face of the city. Civic portraiture and civic identity in early modern England, 272pp, £55, isbn 978 0 7190 7501 8, Manchester University Press<br />• Peter Lord, Winifred Coombe Tennant. A Life through Art, 255pp, hb, isbn 978-1862250659,<br />National Library of Wales <br />• Elizabeth Eger and Lucy Peltz, Brilliant Women. 18th-century Bluestockings, 160pp hb £18.99, isbn 978 1 85514 389 0, National Portrait Gallery Publications<br />• Jason Rosenfeld and Alison Smith, Millais, 272 pp, hb £35, isbn 978 185437 746 3, Tate Publishing<br />• Robert Upstone, Modern Painters: The Camden Town Group, 160 pp pb £24.99, isbn 978-1854377814,<br />Tate Publishing<br />• Robert Hoozee, ed, British Vision: Observation and Imagination in British Art 1750-1950, 424 pp, hb £39, isbn 978-9061537489, Mercatorfonds / Museum voor Schone Kunsten, Ghent<br />• Clifford S Ackley, ed, British Prints from the Machine Age: Rhythms of Modern Life 1914-1939, 224pp, hb £24.95, isbn 978-050023847, Thames & Hudson<br />• Mark Bills and David Webb, Victorian Artists in Photographs: The World of GF Watts, Selections from the Rob Dickins Collection, 256pp, pb £12.50, isbn 978-0954823078, Watts Gallery, Compton, Surrey<br />• Nicholas Tromans and Emily Weeks, ed, The Lure of the East. British Orientalist Painting, 224 pp pb £24.99, isbn 978 185437 733 3, Tate Publishing <br />• Judy Egerton, George Stubbs, Painter, 655pp, hb £95, isbn 978-0300125092, Yale University Press for the Paul Mellon Centre for Studies in British Art<br />• Ian Kennedy and Julian Treuherz, The Railway: Art in the Age of Steam, 288pp, hb £35, isbn 978-0300138788, Walker Art Gallery, National Museums Liverpool / The Nelson-Atkins Museum of Art, Kansas City / Yale University Press <br />• Miles Wynn Cato, Parry: The Life and Works of William Parry A.R.A. 1743-1791, 214pp, hb £25, Miles Wynn Cato, Welsh Art<br />• Kay Dian Kriz, Slavery, Sugar and the Culture of Refinement, 288pp, hb £35, isbn 978-0300140620,<br />Yale University Press for the Paul Mellon Centre for Studies in British Art<br />• Elizabeth Prettejohn, Art for Art’s Sake. Aestheticism in Victorian Painting, 320 pp, hb £35, isbn 978-0300135497, Yale University Press for the Paul Mellon Centre for Studies in British Art<br />• Elizabeth E Barker and Alex Kidson, Joseph Wright of Derby in Liverpool, 224 pp, hb £40, isbn 978-0300117455, Walker Art Gallery, National Museums Liverpool, Yale Center for British Art, Yale University Press<br />• Julia Marciari Alexander and Catharine Macleod, ed, Politics, Transgression and Representation, 288pp, hb £40, isbn 978-0300116564, Yale University Press / Paul Mellon Centre for Studies in British Art<br />• David Watkin and Philip Hewat-Jaboor, ed, Thomas Hope Regency Designer, 520pp, hb £50, isbn 978-0300124163, Yale University Press for The Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture<br />• Arthur MacGregor, Curiosity and Enlightenment Collectors and Collections from the Sixteenth to the Nineteenth Century, 288pp, hb £45, isbn 978-0300124934, Yale University Press<br />• Edgar Peter Bowron and Peter Björn Kerber, Pompeo Batoni: Prince of Painters in Eighteenth-Century Rome, 230 pp, hb £40, isbn 978-0300126808, Yale University Press in association with The Museum of Fine Arts, Houston<br />• Thomas P Campbell, Henry VIII and the Art of Majesty. Tapestries at the Tudor Court, 440pp, hb £45, isbn 9780300122343, Yale University Press for the Paul Mellon Centre for Studies in British Art<br />• Anna Gruetzner Robins, A Fragile Modernism: Whistler and His Impressionist Followers, 256pp, hb £40, isbn 978-0300135459, Yale University Press for the Paul Mellon Centre for Studies in British Art<br />• David Solkin, Painting outside the Ordinary. Modernity and the Art of Everyday Life in Early Nineteenth-Century England, 288pp, hb £45, isbn 9780300140613,<br />Yale University Press for the Paul Mellon Centre for Studies in British ArtUnknownnoreply@blogger.com